VIEW IN MY ROOM
United Kingdom
Photography, Giclée on Paper
Size: 29 W x 23 H x 0.5 D in
Ships in a Tube
Shipping included
A reference to the Holman Hunt’s painting with Jesus holding a lantern, meaning he is the light of the world. But really, it's electric light that is the true illuminant of the world. It changed our entire way of life. We just flick a switch, but it's still a kind of magic. There is a light bulb in California which has been burning continuously since 1910. We only have to replace them because the Phoebus Cartel, comprised of international electric companies like Osram, GEC, and Phillips organised in Berlin in the 1920’s, to fix the life expectancy of light bulbs to a maximum of one thousand hours. The cartel fined manufacturers for any bulbs that lasted longer than a thousand hours, otherwise, we’d never have to replace them. The clock mechanism is from 1920 and still works. The computer parts are from a new Raspberry Pi that stopped working after a couple of weeks. Flowers will replenish themselves forever if we let them. The disabled are now a commodity, an industry has arisen from the need to constantly measure and designate our degree of infirmity (which changes according to how they decide to measure us) all in the name of parsimony.
Photography:Giclée on Paper
Artist Produced Limited Edition of:15
Size:29 W x 23 H x 0.5 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Is an award-winning filmmaker, artist and writer. He has created ground-breaking work across television and art platforms providing rare insight into the disabled experience. Motivated by the continual exclusion and misrepresentation of marginalised people in society, his work aims to shift dominant perspectives, seeking to amplify liminal voices above all the chatter and discourse. Through documentary and personal art practice, he attempts to convey the humanity, value, and self-determination of the disabled community on its own terms, rather than as burdens, objects of pity or inspiration porn. He is an autodidact leaving school at 16 with no qualifications and has had no training in photography, art or filmmaking. He considers himself an outsider artist and puts his adeptness in art practice down to his autistic nature. How he managed to gain a 'Practice as research' PhD from the University of Kent for a study into the aesthetics of disability with no higher education at all, is a mystery he's unwilling to solve. He lives by the sea and does not have a cat.
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