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Oculus Clamantis in Deserto: Splendor and Disaster in the California Outback – Curated by Peter Frank – Palm Springs Fine Art Fair – 2016
Los Angeles Times Review of "Desert Windows" series.
Like many images in this series, this composition features a layered series of focal planes, this one alternating between ordered and disorganized, natural and man-made environments; ending in a freeway, mountains and cloud-capped sky. The message "love, faith, hope" is seemingly lost on the former inhabitants of this abandoned home, but it speaks to the spirit required to survive challenging conditions in the remote, rural deserts of Southern California. Possible interpretations of this particular image are explored in greater depth in the articles listed below:

Boom, A Journal of California: "Framing the Desert" - 2015 - tinyurl.com/pu7tfy6
KCET Artbound: "High & Dry - Through a Window Darkly" - 2014 - tinyurl.com/zqodmza

This image has been exhibited at the following venues:
Round Em Up - SugarMynt Gallery - S. Pasadena, CA - 2016
Oculus Clamantis in Deserto: Splendor and Disaster in the California Outback - Curated by Peter Frank - Palm Springs Fine Art Fair - 2016
The Life of Things - SCA Project Gallery - Pomona, CA - 2014
High & Dry: dispatches from the land of little rain - Solo Exhibition - Los Angeles Art Association/Gallery 825 - 2014
Pop Uber Alles - Curated by Timothy Potts, Director J. Paul Getty Museum - Gallery 825 - 2014

Each print is titled, signed, dated and numbered on verso. There is an approximately 2" white border around the image area. Prints are manufactured in-house at Chungking Studio in Los Angeles Chinatown. The Window Series is printed on Hahnemuhle Fine Art Museum Etching paper, a museum-quality, 350 GSM-weight paper which is exceptionally robust and renders outstanding detail. After a successful print is inspected and approved, a protective seal is applied using a three-step process that increases moisture, dirt, fingerprint, and UV resistance; extending the already significant color-fastness of modern archival inks approximately 3x the length of untreated prints.

Note: Image area is approximately  13x18" on 17x22" paper.
Each print is titled, signed, dated and numbered on verso.

285 Views

7

View In My Room

Love, Faith, Hope - Cinco, CA - Limited Edition 2 of 20 Photograph

Osceola Refetoff

United States

Photography, Color on Paper

Size: 17 W x 22 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $1,890

285 Views

7

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Like many images in this series, this composition features a layered series of focal planes, this one alternating between ordered and disorganized, natural and man-made environments; ending in a freeway, mountains and cloud-capped sky. The message "love, faith, hope" is seemingly lost on the former inhabitants of this abandoned home, but it speaks to the spirit required to survive challenging conditions in the remote, rural deserts of Southern California. Possible interpretations of this particular image are explored in greater depth in the articles listed below: Boom, A Journal of California: "Framing the Desert" - 2015 - KCET Artbound: "High & Dry - Through a Window Darkly" - 2014 - This image has been exhibited at the following venues: Round Em Up - SugarMynt Gallery - S. Pasadena, CA - 2016 Oculus Clamantis in Deserto: Splendor and Disaster in the California Outback - Curated by Peter Frank - Palm Springs Fine Art Fair - 2016 The Life of Things - SCA Project Gallery - Pomona, CA - 2014 High & Dry: dispatches from the land of little rain - Solo Exhibition - Los Angeles Art Association/Gallery 825 - 2014 Pop Uber Alles - Curated by Timothy Potts, Director J. Paul Getty Museum - Gallery 825 - 2014 Each print is titled, signed, dated and numbered on verso. There is an approximately 2" white border around the image area. Prints are manufactured in-house at Chungking Studio in Los Angeles Chinatown. The Window Series is printed on Hahnemuhle Fine Art Museum Etching paper, a museum-quality, 350 GSM-weight paper which is exceptionally robust and renders outstanding detail. After a successful print is inspected and approved, a protective seal is applied using a three-step process that increases moisture, dirt, fingerprint, and UV resistance; extending the already significant color-fastness of modern archival inks approximately 3x the length of untreated prints. Note: Image area is approximately 13x18" on 17x22" paper.

DETAILS AND DIMENSIONS
Photography:

Color on Paper

Artist Produced Limited Edition of:

1

Size:

17 W x 22 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Osceola Refetoff’s interest is in documenting humanity’s impact on the world – both the intersection of nature and industry, and the narratives of the people living at those crossroads. His images exist within traditional means – landscape, portraiture, travel, editorial – and are variously produced using film, digital, infrared, and pinhole exposures. Thus, despite his documentarian impulses and the fact that his images deliberately depict ordinary, even mundane, subjects; he trains on them a nuanced vision, often yielding surreal, even dreamlike images. His process generally happens “in camera,” at the moment of capture, in a kind of alchemical reaction that transforms the external world into something both realistic and magical. Refetoff’s early influences were the great mise-en-scène directors Lang, Welles, Kubrick, and Melville. Today, his motion picture background informs his approach to constructing visual narratives. Framing meticulous compositions in depth, he uses the many cameras he carries to render not only how a place looks, but how it feels to be there. As he shifts between stylistic modes to build layered, multidimensional histories, what links all aspects of his eclectic practice is a commitment to capturing “what the picture requires.” Refetoff holds a B.A. in Film & Mass Communications from Duke University (1985) and an M.F.A. from New York University's Graduate Film Program (1991). His photography has been featured in Artillery, Palm Springs Life, Arid, Boom, Hemispheres, and WhiteHot magazines, among others. His work is widely exhibited including at the San Diego Art Institute, the Palm Springs Art Museum, The Main Museum, Photo LA, Porch Gallery, and numerous solo exhibitions covered in The LA Times, Huffington Post, CBS, LA Weekly, and other publications. "High & Dry," a long-term collaboration with writer/historian Christopher Langley, is syndicated on KCET's Emmy-winning program Artbound, receiving the Outdoor Writers Association of California’s 2016 award for Best Outdoor Media.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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