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Mistress of dreams - Limited Edition 1 of 3

VIEW IN MY ROOM

Mistress of dreams - Limited Edition 1 of 3 Photograph

Veneta Karamfilova

Bulgaria

Photography, Color on Paper

Size: 39.4 W x 39.4 H x 0 D in

Ships in a Tube

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About The Artwork

“Mistress of dreams” is part of the short series “Moirai. The three fates of life”. Moirai were the three goddesses of fate who personified the inescapable destiny of man in Greek myth. They controlled the metaphorical thread of life of every mortal from birth to death. A thread, as I see it, that is actually woven by memories, dreams and death. All the thing that are present through all our lives and that in fact shape us as human beings. Dreams always seem so bright and full of vivid colors. But reality is a bit different. Take a closer look and you’ll see all the flaws. Little cracks and wrinkles indicating that they are only an illusion. This image is available in strictly limited, 4 edition sizes: 35/35 cm- edition of 10 +3 AP 50/50 cm- edition of 7 + 3 AP 70/70 cm- edition of 5 + 1 AP 100/100 cm- edition of 3 + 1 AP All prints are numbered and labelled with artist's signature, and come with a certificate of authenticity and a hologram sticker, attached to the back of the print. Limited Edition Giclée Print on Hahnemühle paper and has a 5cm white border (image size with white border - 110/110cm). This work will be shipped rolled in a secure tube. Artwork is not framed. This is an example of how it could look framed.

Details & Dimensions

Photography Print:Color on Paper

Artist Produced Limited Edition of:3

Size:39.4 W x 39.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

To me photography is an exploration of the mind. A kind of fiction, offering a glimpse of a co-existing reality. A way of seeing a world floating between unspoken dreams yet-to-be and the endless nostalgia for the time that has never been, with a surreal motif. Since photography is born in a split-second, I find it being the perfect medium to show a fraction of a supposed reality. A fraction that does not describe, but merely suggests. A fraction that has no beginning or an end, but is bound to have an afterlife, long and rich as the viewer’s memory. The two main subjects I explore are women and flowers, as flowers are often associates with women and feminine. My woman is a silent inhabitant of an alternative place that provides an escape from the passage of time. She is both strong and fragile. The center and only a fragment of something greater; a suggestion for something more. Flowers are usually associated with women because of the idea of new life; a rebirth after the winter. Yet since they fade quickly, flowers are also linked with death. In my photographs a slice of this birth-to-death shift is suspended in time.

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