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Ukraine
Photography, Color on Ceramic
Size: 23 W x 30.3 H x 4.3 D in
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Mayram Maryam, "Nazca Lines", 2018, acrylic on mask, 77 x 58,5 см. The Nazca Lines are a group of very large geoglyphs formed by depressions or shallow incisions made in the soil of the Nazca Desert in southern Peru. They were created between 500 BC and 500 AD. Most lines run straight across the landscape, but there are also figurative designs of animals and plants, made up of lines. The individual figurative geoglyph designs measure between 0.4 and 1.1 km (.2 and .7 mi) across. The combined length of all the lines is over 1,300 km (808 mi), and the group cover an area of about 50 sq km (19 sq mi). The lines are typically 10 to 15 cm (4 to 6 in) deep. They were made by removing the top layer of reddish-brown iron oxide-coated pebbles to reveal a yellow-grey subsoil. The width of the lines varies considerably, but over half are slightly over one-third meter (just over 1 foot) wide. In some places they may be only a foot (30.5 cm) wide, and in others reach 6 feet (1.8 m) wide. Some of the Nazca lines form shapes are best seen from the air (~1,500 ft, 457 m), though they are visible from the surrounding foothills and other high places. The shapes are usually made from one continuous line. The largest ones are about 370 m (1,200 ft) long. Because of its isolation and the dry, windless, stable climate of the plateau, the lines have mostly been preserved naturally. The figures vary in complexity. Hundreds are simple lines and geometric shapes; more than 70 are zoomorphic designs of animals such as a hummingbird, spider, fish, llama, jaguar, monkey, lizard, dog and a human. Other shapes include trees and flowers. They were designated as a UNESCO World Heritage Site in 1994. The high, arid plateau stretches more than 80 km (50 mi) between the towns of Nazca and Palpa on the Pampas de Jumana, approximately 400 km (250 mi) south of Lima, roughly matching the main PE-1S Panamericana Sur. The main concentration is in a 10 by 4 km (6 mi by 2 mi) rectangle, south of San Miguel de la Pascana hamlet. In this area, the most notable geoglyphs are visible. Although some local geoglyphs resemble Paracas motifs, scholars believe the Nazca Lines were created by the Nazca culture. The first published mention of the Nazca Lines was by Pedro Cieza de León in his book of 1553, and he mistook them for trail markers. In 1586, Luis Monzón reported having seen ancient ruins in Peru, including the remains of "roads". Although the lines were partially visible from the nearby hills, the first to report them were Peruvian military and civilian pilots. In 1927 the Peruvian archaeologist Toribio Mejía Xesspe spotted them while he was hiking through the foothills. He discussed them at a conference in Lima in 1939. Paul Kosok, an American historian from Long Island University, is credited as the first scholar to study the Nazca Lines at length. In Peru in 1940–41 to study ancient irrigation systems, he flew over the lines and realized one was in the shape of a bird. Another chance observation helped him see how lines converged at the winter solstice in the Southern Hemisphere. He began to study how the lines might have been created, as well as to try to determine their purpose. He was joined by archeologist Richard P. Schaedel from the United States, and Maria Reiche, a German mathematician and archaeologist from Lima, to help determine the purpose of the Nazca Lines. They proposed one of the earliest reasons for the existence of the figures: to be markers on the horizon to show where the sun and other celestial bodies rose on significant dates. Archaeologists, historians, and mathematicians have all tried to determine the purpose of the lines. Determining how they were made has been easier than determining why they were made. Scholars have theorized the Nazca people could have used simple tools and surveying equipment to construct the lines. Archaeological surveys have found wooden stakes in the ground at the end of some lines, which supports this theory. One such stake was carbon-dated and was the basis for establishing the age of the design complex.
Photography:Color on Ceramic
Artist Produced Limited Edition of:8
Size:23 W x 30.3 H x 4.3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Ukraine.
Customs:Shipments from Ukraine may experience delays due to country's regulations for exporting valuable artworks.
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Ukraine
Mayram Maryam is a Master of Fine Arts (MFA) Above the valleys and the lakes: beyond The woods, seas, clouds and mountain-ranges: far Above the sun, the aethers silver-swanned With nebulae, and the remotest star, My spirit! with agility you move Like a strong swimmer with the seas to fight, Through the blue vastness furrowing your groove With an ineffable and male delight. Far from these foetid marshes, be made pure In the pure air of the superior sky, And drink, like some most exquisite liqueur, The fire that fills the lucid realms on high. Beyond where cares or boredom hold dominion, Which charge our fogged existence with their spleen, Happy is he who with a stalwart pinion Can seek those fields so shining and serene: Whose thoughts, like larks, rise on the freshening breeze Who fans the morning with his tameless wings, Skims over life, and understands with ease The speech of flowers and other voiceless things.
Artist featured by Saatchi Art in a collection
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