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Samotna Syrenka - Limited Edition of 2 Photograph

Vito Sardone

Poland

Photography, Color on Paper

Size: 27.6 W x 19.7 H x 0 D in

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About The Artwork

Selected artwork by Loosenart Gallery for the display "Silent Cities" in Rome at Millepiani Space. Paper Printing Quality: matt photographic poster Fujicolor Crystal Archive Digital. Format: 70x50 cm / 27,55x19,7 inch. The Mermaid statue, symbol of Warsaw, in the Old Square Market (Rynek Starego Miasta) looks totally abandoned for the first time after the city's rebuilding due to the 1944 bombing. This apocalyptic view created by scooters replacing people testifies the effects of pandemia in Poland during the quarantine.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:2

Size:27.6 W x 19.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Vito Sardone is an Italian freelance photographer living in Poland. The Master in Photography attended in Rome at CRFC, the confrontation with a stimulating environment of important Italian photographers and the continue insatiable research increased his sensitivity and attention on the highest ad intimate meaning of reportage. In 2019, the photographic project entitled "Mai più” (Not anymore), supervised by the World Press Photo winner Massimo Berruti, focused on the problem of waste management in Rome, became a book and has been exhibited at CRFC in the capital. In 2020 his project "Scattered traces in the shutter" was selected for the Fresh Eyes 2020 presented by Gup Magazine. Meanwhile the project has been selected by F-Stop Magazine, it will be included in the upcoming issue of F-Stop Magazine - issue #103 "Staying Home Together” which will go online on August 1st 2020. During the international pandemic crisis his photo "Samotna Syrenka" was selected for the “Silent Cities” Exhibition curated by Loosenart Gallery. His photos have been published in newspapers such as the Gazzetta del Mezzogiorno and il Mattino, in the magazine Silhouette Donna and in the online version of Vanity Fair.

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