VIEW IN MY ROOM
Switzerland
Photography, Photo on Aluminium
Size: 15.7 W x 23.6 H x 0.1 D in
Ships in a Box
Pigment ink on Museum fine art cotton paper, mounted on aluminium plate. other size available (45cm x 30cm to 150cm x 100cm), part of the 30 limited edition, on demand. « This idea came about while watching my cat’s movements. At that very moment, I thought that he was the reincarnation of Puss-in-Boots. » In this gallery of one-of-a-kind portraits, Alexis Reynaud gives a new allure to the timeless, universal beauty of cats. An otherworldly catwalk: meet a dancer, an imp, and even a movie star. In a velvet case surrounded by light, this feline creature goes beyond its primal instincts and looks at us with scorn. Alexis Reynaud has already explored bodily sublimation in his well-received series BODY AND WALLS/NUDES. STANDING CATS represents another take on this transformation. Reacquaint with your child-like self and experience this spectacle of over forty feline models standing straight on a stage.
Photography:Photo on Aluminium
Artist Produced Limited Edition of:30
Size:15.7 W x 23.6 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Switzerland.
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Switzerland
Alexis Reynaud is a Swiss photographer, who became known for his book “Genève, Voyage Urbain”. His work has been shown in Art Basel Selection, Kiaf/11 Seoul and Scope Basel, as well as in several galleries and art fairs across Paris, Hong Kong and Zurich. His photography work showcases, most notably, petrified wood that evokes aerial maps and nude, darkened bodies captured by the elegance that existed in bronze status marked by and frozen in time. His work has created a path between the visible and the indescribable. It unites these two elements through a dreamlike canvas, and challenges us on what we think is real by offering us alternating viewpoints. Alexis Reynaud’s photography work is part of private and public collections.
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