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VIEW IN MY ROOM

The Game Of Chess Limited edition 1 of 20 Photograph

Anna Anderton

United Kingdom

Photography, Digital on Paper

Size: 24 W x 15.7 H x 0 D in

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About The Artwork

Giclée print on Hahnemühle Fine Art Baryta 325 gsm Printed with 2.5cm white border. Signed, Certificate of Authenticity included. This was the first image created for "My Dark Sister" series. The reoccuring theme through the series is an encounter and interaction of the enigmatic female character with with an even more enigmatic faceless figure radiating darkness from the veil of the black hair surrounding her would-be face (or, as in this particular image a mourning lace veil) The dark figure seem to be some sort of a guide, the connection between the two seems to suggest some mysterious affinity. The inspiration came from both the subtle intermittent, unaccountable feeling of this presence throughout the years, as the equally elusive but deeply rooted feeling of how our dimension may? can? does? intersect with this what either is or, may be, beyond the perception of our five senses. The setting is a little old cemetery not far from where I live. As in nearly all of my pictures I have chosen Victorian outfits with a modern gothic twist (from my own wardrobe) which makes the characters somehow timeless, unearthly, detached, leaving room for both interpretation and personal identification. Limited edition of 20

Details & Dimensions

Photography:Digital on Paper

Original:One-of-a-kind Artwork

Size:24 W x 15.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am drawn to themes of darkness, mystery, isolation, examining the boundary between our world and and the subtle possibility of another; how they may intersect, interact... I have found, artistically manipulated fine art photography to be the perfect medium for me to express it. In a way, I find myself more akin to painter then purely a photographer. The idea, the composition, framing lighting, camera settings is only the beginning of the process. It is mainly during editing stage that I feel deeply fulfilled as an artist. Current possibilities of editing software blurs the line between digital and real life brush strokes. Both are done manually and this, alongside with other editing components, is what makes me feel I am putting a personal signature on, not so much a photograph, but an artwork. Posing for most of my pictures gives me the feeling of fully owning the process however, this is aimed not at a self portraiture but creating a character which will carry the narrative of my visual story. Victorian costumes with a modern gothic twist help to make the character come across timeless, nearly ghost-like, further remove it from any notion of participating directly in our reality. In my work, I thrive on melancholy which connects us with something deeper inside us and creates a aesthetic value which transcendences its mundane, purely psychological dimension. As Italio Calvino put it "melancholy is the sadness which has taken on lightness"

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