




Photography, Black & White on Canvas
8.3 W x 5.8 H in
Ships in a Box
This work will ship flat in a sturdy, well-protected cardboard box. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
The mountains parted, opening the way for the river. These faults hide an ancient history — millennia of precipitation, tectonic shifts, and life frozen in stone. Dagestan is also split between the past and the future, between laws and instincts. This frame is part of the collection "Between revel...
Year Created:
2024
Subject:
Mediums:
Mediums:
Photography, Black & White on Canvas
Rarity:
Limited Edition of 5
Size:
8.3 W x 5.8 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Georgia.
Need more information?
Contact us.Need more information?
Contact us.My name is Karina Ananikian.
My photography practice I started because of the internal call. I liked to make beautiful pictures. Later I wondered what makes the shot recognizable and how to get that very photo so that every frame is unique, a unit, not a streaming image.
Then the idea came: "From already existing create not yet existing". I started experimenting, studying the effect of light and color. Post-processing has always been an integral part of my work, but suddenly I allowed myself to take the frame away, let the original material change its meaning at its core, give the process whole, not knowing the result in advance, but feeling it in the process. And it started to work out, I was enjoying the visual pleasure of my work.
At one point it wasn’t enough. I didn’t understand what was behind each picture, they started to seem empty. But how to solve this, I could not understand. Suddenly came the community of meaningful photography, taking into account context, thought, purpose. And it all turned around. It became clear how I should go on. I did visual research, suffered defeats, sometimes finding answers, but more often stumbling upon questions. This gave a new twist in development. Since then, my practice has become more conscious. And it seems that the next crisis is still far away.
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