VIEW IN MY ROOM
United Kingdom
Photography, Giclée on Paper
Size: 50 W x 33 H x 0.1 D in
Ships in a Tube
Shipping included
With a passing wave of my hand at Jan Davidsz de Heem and the Dutch Baroque school of still life painting, this picture is a journey through a year from the past into the present. The building brick flowers will never wither and die unlike the organic ones, and the computer parts refer to the transient nature of technology. Like people, they are not built to last, unlike the objects in traditional paintings. I use nothing to denote status or high value, all the objects are cast off or found. The brick flowers are constructed from old unwanted and discarded bricks. Although we don't know it, everything has been something else. Matter cannot be destroyed only converted into another form. Weird Huh!
Photography:Giclée on Paper
Artist Produced Limited Edition of:15
Size:50 W x 33 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Is an award-winning filmmaker, artist and writer. He has created ground-breaking work across television and art platforms providing rare insight into the disabled experience. Motivated by the continual exclusion and misrepresentation of marginalised people in society, his work aims to shift dominant perspectives, seeking to amplify liminal voices above all the chatter and discourse. Through documentary and personal art practice, he attempts to convey the humanity, value, and self-determination of the disabled community on its own terms, rather than as burdens, objects of pity or inspiration porn. He is an autodidact leaving school at 16 with no qualifications and has had no training in photography, art or filmmaking. He considers himself an outsider artist and puts his adeptness in art practice down to his autistic nature. How he managed to gain a 'Practice as research' PhD from the University of Kent for a study into the aesthetics of disability with no higher education at all, is a mystery he's unwilling to solve. He lives by the sea and does not have a cat.
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