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Visual Rhythm: Architectural Ballet Photograph - Limited Edition of 5

Michael Nguyen

Germany

Photography, Digital on Paper

Size: 11.8 W x 7.9 H x 0.1 D in

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$1,090

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About The Artwork

Original Artwork (Limited Edition): The motif is printed on Hahnemühle fine art baryta 325g paper, motif size 20 x 30 cm, white border 5 cm, outer size 30 x 40 cm, signed and artist stamp on the back. In the heart of the urban labyrinth, a symphony of shapes and shades comes to life on a facade that plays with the whims of light. Here, the concrete canvas reveals a kaleidoscope of colors, where windows dress in pastel tones, creating a visual rhythm that hums with the vibrancy of the city. It’s a place where geometry finds its muse, and hues of lemon, lavender, and lime pirouette in an architectural ballet, choreographed by the sun’s shifting angles. This edifice sings a serenade to the daydreamer, a siren song of shades and lines, inviting passersby to pause, if only for a moment, to admire the artistry of urban design. It is a mural of modernity, where every pane and panel tells a story—a narrative woven with the threads of light, color, and the undying spirit of innovation. The ADAC headquarters in Munich’s Sendling-Westpark district is an architectural statement of color and form, reflecting the organization’s forward-thinking approach through its distinctive facade. The building designed by architects Sauerbruch Hutton stands as a vibrant landmark showcasing a modern architectural wonder. This detail highlights the building’s unique facade, a mosaic of 22 colors across 1,152 elements that playfully interact to create a dynamic visual experience. The lower five floors form an amoeba-shaped base with rounded edges, while the high-rise section boasts a striking 30,000-square-meter glass facade. This design n choice imbues the structure with a lively, ever-changing character that mirrors the innovative spirit of the ADAC.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:5

Size:11.8 W x 7.9 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Multi Award Winning Artist & Photographer NGUYENSminiaturen Website: https://nguyensminiaturen.visura.co/ Original Artworks in small sizes in a limited signed edition of 2, 3, 4, 5 or 10 copies, depending on the motif, in sizes of 20 x 30 cm, 30 x 30 cm, 40 x 40 cm - most of them with a white border. Alway 2 AP (Artist Prints). Signed, numbered and artist stamp on the back. All motifs can be ordered also as open end prints in a variety of sizes and frame options. Calmness in Sight “Artistic photography today moves quite differently than it did a few decades ago as a visual force and communicative intervention. This is amid an overflowing stream of images whose production, administration, and dissemination have long since run out of control of conscientious management. After film, television, computers, it is above all the smartphone that has catapulted us into a new visual age. Often, the challenge is to give the eyes an occasion to linger between their unsteady jumps from image to image. Michael Nguyen succeeds excellently in creating such an occasion with his photographs by creating clarity of vision and a challenge of interpretation through reduction and focus.” Prof. Dr. Rainer Funke Founding dean of the Department of Design Potsdam University of Applied Sciences Michael Nguyen is a “publicity shy” (Merkur daily newspaper Munich) photo artist, a photographic poet who moves away from the mainstream, at the same time blurs genres. "Most of the photos could only be taken because Nguyen has a special eye for his surroundings and gives even the mundane a second view." (Süddeutsche Zeitung). In his photography he focuses on architectural details and urban landscapes. “With my architectural photography, I am on the search for the aesthetic qualities of buildings in their urban spatial effect. Above all, I am interested in the visual richness of detail in its compositional diversity and its strangeness. The most unadulterated, neutral documentation of buildings for sales and presentation purposes is not part of my work, nor is the creation of marketable references for architectural firms. Nor are they photographs that depict a building in its ideal state to increase the market value of the building in question. With my very own passion for buildings, I strive, as an artistic architectural photographer, to interpret reality and give a new soul to the appearance of buildings through love, enthusiasm, and desire.

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