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View In My Room
Photography, Digital on Paper
Size: 11.8 W x 7.9 H x 0.1 D in
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Artist featured in a collection
Original Artwork (Limited Edition): The motif is printed on Hahnemühle fine art baryta 325g paper, motif size 20 x 30 cm, white border 5 cm, outer size 30 x 40 cm, signed and artist stamp on the back. In the heart of the urban labyrinth, a symphony of shapes and shades comes to life on a facade that plays with the whims of light. Here, the concrete canvas reveals a kaleidoscope of colors, where windows dress in pastel tones, creating a visual rhythm that hums with the vibrancy of the city. It’s a place where geometry finds its muse, and hues of lemon, lavender, and lime pirouette in an architectural ballet, choreographed by the sun’s shifting angles. This edifice sings a serenade to the daydreamer, a siren song of shades and lines, inviting passersby to pause, if only for a moment, to admire the artistry of urban design. It is a mural of modernity, where every pane and panel tells a story—a narrative woven with the threads of light, color, and the undying spirit of innovation. The ADAC headquarters in Munich’s Sendling-Westpark district is an architectural statement of color and form, reflecting the organization’s forward-thinking approach through its distinctive facade. The building designed by architects Sauerbruch Hutton stands as a vibrant landmark showcasing a modern architectural wonder. This detail highlights the building’s unique facade, a mosaic of 22 colors across 1,152 elements that playfully interact to create a dynamic visual experience. The lower five floors form an amoeba-shaped base with rounded edges, while the high-rise section boasts a striking 30,000-square-meter glass facade. This design n choice imbues the structure with a lively, ever-changing character that mirrors the innovative spirit of the ADAC.
2022
Digital on Paper
5
11.8 W x 7.9 H x 0.1 D in
Not Framed
No
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Germany.
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Germany
Multi Award Winning Artist, Photographer & Photojournalist NGUYENSminiaturen All motifs can be ordered as open end prints in a variety of sizes and frame options. Beyond his photography, Nguyen has made significant contributions to the photography community. He is the co-founder of the online photography and art magazine Tagree, where he served as editor-in-chief for many years. Nguyen loves the poetry of the everyday and social life. Described as a “photographic poet” by ArchEyes Magazine, Nguyen’s work focuses on the seemingly ordinary aspects of life. His lens captures small, unnoticed details and infuses them with new meaning. ArchEyes notes, “Michael sees the world through a third eye, capturing the essence of life in every shot,” emphasizing his ability to turn the invisible into something worthy of admiration. Nguyen has been called “publicity-shy” by Merkur, a daily Munich newspaper, but his work speaks volumes. Moving away from mainstream trends, his photography crosses and blurs genres, focusing on life’s poetic, everyday moments. As the Süddeutsche Zeitung points out, “Most of the photos could only be taken because Nguyen has a special eye for his surroundings and gives even the mundane a second view.” Nguyen’s architectural photography, in particular, draws attention to the intricacies of urban landscapes and buildings. He explains his approach: “With my architectural photography, I search for the aesthetic qualities of buildings and their urban spatial effect. I aim to give a new soul to the appearance of buildings through love, enthusiasm, and desire.” He emphasizes that his work is not about producing marketable images for architectural firms but about interpreting reality in a subjective, situational manner. Nguyen’s unique perspective on life and architecture, along with his commitment to elevating the ordinary, makes his work both timeless and deeply thought-provoking. Some of Nguyen’s work falls under the category of hyperrealism. He utilizes color, contrast, and sharpness to accentuate architectural elements often overlooked in daily life. By intensifying these features, Nguyen creates a heightened version of reality, drawing attention to the beauty of architectural spaces and forms that might otherwise go unnoticed. One of Nguyen’s most significant ongoing projects is the By The Roadside series, which features architectural street photographs from various European countries.
Artist featured by Saatchi Art in a collection
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