VIEW IN MY ROOM
United States
Photography, Black & White on Paper
Size: 22.7 W x 23.5 H x 0.1 D in
Ships in a Tube
Shipping included
This photo was taken of the Los Angeles Women's March, protesting for equal rights for women, and the power of Feminism. It was inspired by much more than that, including an apparatus made up of multiple non-profits, volunteers, and small-money donors from around the country, and even around the world. This is what our brighter tomorrow looks like, because the only thing that can give us hope for the future – is us. In this powerful black and white photograph in front of Los Angeles City Hall, activist Gloria Allred leads a group of protestors, embodying the varied responses to oppression. Inspired by the works of Lewis Hine, Sebastião Salgado, and Mary Ellen Mark, this image captures the resilience and determination of those fighting for empowerment and accountability amidst societal injustices. An example of Post Colonial art style. Profits from this project will go towards buying new equipment and supplies to launch a bold new series of works. All original sales are signed on the back and have a certificate of authenticity provided. Picture dimensions do not include an additional white matte border.
Photography:Black & White on Paper
Artist Produced Limited Edition of:25
Size:22.7 W x 23.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Ricardo Tomasz is an artist in photography, painting, collage, video, performance art, and occasionally body hair. He was born and raised in Hungary, to a Hungarian mother, and a Spaniard father. They died when he was 16, but their passing allowed him to tour and study at some of the finest Art Universities in Europe. He came to America, thrusting himself into the art scene. He was in and out, in and out, and in and out of America over several years, until finally settling in Los Angeles as an artist, designer, and occasional human crosswalk sign. He is a valuable contributor to the Greater and Grander Artist collective.
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