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"Entropy" Print - Limited Edition of 6

→ Gabriela Paola Lentini, Argentina

Printmaking, Etching on Paper

8.3 W x 11.8 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$258

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Entropy (2013) is an original etching and aquatint created from a hand-worked zinc plate and printed on 200 gsm fine art paper. The work explores isolation, the loss of belonging, and the gradual erosion of identity that can occur when a person is constantly invalidated by their surroundings. The ve...

Year Created:

2013

Subject:

Mediums:

Print, Etching on Paper

Rarity:

Limited Edition of 6

Size:

8.3 W x 11.8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Argentina.

Customs:

Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Gabriela Paola Lentini

About the Artist

Gabriela Paola Lentini

Argentina

I am an Argentine printmaker.

I discovered printmaking through drawing, but it was the printing process that truly captured me. I am fascinated by the physical nature of working with a matrix: carving it, inking it, placing it on the press, and revealing the print. It is a slow, hands-on, deeply tactile process that transforms a drawn image into something new.

What I love most about printmaking is that no two prints are ever exactly alike. Even when they come from the same matrix and belong to the same edition, each impression has its own identity. I like to think of it as nature itself: no two leaves, stones, or people are exactly the same, and neither are two prints. The subtle variations created by the interaction between the matrix, the ink, the paper, and the printing process are part of the essence and beauty of printmaking.

My work is figurative and explores human emotions and feelings. I am not interested in judging, preaching, or offering definitive answers. Instead, I seek to create images that invite a more humane and empathetic way of looking, awakening an emotion or a question without imposing an interpretation. Even when exploring subjects that are often rejected, feared, or misunderstood, I try to remind us that behind them there are always people, stories, and feelings worthy of compassion and understanding.

We are constantly surrounded by voices telling us what to think, what to feel, and how we should live. I do not want my work to become another voice pointing the way. Instead, I hope each image invites viewers to pause, look closely, and find a personal experience. I hope my prints accompany viewers as they encounter themselves—or one another—through the work.

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