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"L'origine du monde" d'apres G. Courbet Print - Limited Edition of 9

bruno richard

Italy

Printmaking, Lithograph on Canvas

Size: 11.8 W x 11.8 H x 0.1 D in

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$720

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ABOUT THE ARTWORK

Limited edition 30 x 30 cm fine art giclée print, mounted on 2 mm aluminum panel. This is job no. 1 of a 9 unit project. Certified that it is a professional fine art print of museum quality and conservation, high definition of nine colors on fine art hahnemuhle daguerre canvas 400 grams. This project involves the total and certified printing of 9 copies of the original work " L'origine du monde d'apres G. Courbet " oil painting on canvas measuring 30 x 30 cm executed by the undersigned in 2024. To embellish this limited edition, exclusively nine prints of this size will be available. Each framed artwork will be shipped ready to hang, straight out of the box. The black wooden frame is in classic American style with a depth of 5.5 cm. In the additional images, I have included two photos to demonstrate the frame I use to frame the work. The limited edition print is accompanied by a signed and numbered certificate of authenticity. Other limited edition prints of this artwork may only be available in other formats. We remind you that the Giclée digital printing technique is an individual reproduction which, thanks to the high quality and brilliance of the colors of the reproductions, is preferred to traditional printing techniques by artists, art galleries and museums all over the world. The original works I create are inspired by the great masters of the 16th and 17th centuries, reinterpreted in a contemporary key, with particular attention to traditional materials and techniques.

DETAILS AND DIMENSIONS
Printmaking:

Lithograph on Canvas

Artist Produced Limited Edition of:

9

Size:

11.8 W x 11.8 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

. .. in Richard, absolutely refined painter, it seems that Nature is claiming a consideration of portraiture parity with the human figure, in so far as, in its way of bringing fruit, it is endowed with a vital soul, an inner pulsation that can be defined as a kind of temperamental characteristic. The representations are framed and located within the preset limits of a posing and into a spectacular arrangement. In this theatrical way of painting the plot is imperceptible to the first visual impact, and requires a good training to the decoding of the technical processes to be grasped in its descriptive and structural functions. The tonal relations are obtained with the use of clear and basic dyes, stretched with a slow motion, which allows to distribute on the surface and where from time to time it is necessary, the strength and the tenuous nature of the tract. The calibration of the light, which seems to come from a natural source, does not play much on vibration, as on the ability to reveal the sinuosity evoked by the bright colors and the transparent shadows. The backgrounds are mostly dark or atonal and give contrast and thickness to the volumetric effects. As for the colors, which are also the key performers of the form, if not the prompters of attention to the detail, I suspect they hide the typical anxieties of a certain seventeenth century symbolism, where the fray of a peel, or a slight defect in the ripe plumpness of a fruit have a sense of memento mori

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