VIEW IN MY ROOM
This work is a part of a series of Press-Prints produced to celebrate the material. The inspiration come from working with 3D modeling assisting by computers on another project. The "mesh" that structure a digital three dimensional model (its deep skin, as I like to call it) looks like a fibre texture. I used black print ink and I incorporated a 3D printed mesh between the press and the paper that conveys visually the paper texture embossing the sheet and blocking out the ink to transfer. http://cred-roy.com/Mesh-01
Original Created:2017
Subjects:Abstract
Materials:PaperSoft (Yarn, Cotton, Fabric)
Mediums:MonotypePress PrintInkPaper
Printmaking:Monotype on Paper
Original:One-of-a-kind Artwork
Size:23.4 W x 33.1 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
"Over time, the border between life and art has become a vast, desecrated free zone. The world becomes the suitcase - the suitcase becomes the body - the body becomes the material in which the craft is revealed and sucks the life. Living becomes work." The notion is literal: Labor - Translated into a multitude of techniques and formats - Performatives. It sculpts itself, draws itself, realising itself in a physical/dimensional form. The aesthetic is simple, idiomatic, often minimal, which conveys an underlined political and economic statement. DIY kits - found objects and reclaimed materials become poems suggesting "in-between" - Society is concrete, as is its poetry. Born in Marseille - France, live and work in London
Artist featured by Saatchi Art in a collection
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