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The Cost of Conformity / #1 of - Limited Edition of 10 Artwork

Bryan deBlois

United States

Mixed Media, Pastel on Paper

Size: 30 W x 41 H x 0.1 D in

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About The Artwork

The Cost Of Conformity. "To learn who rules over you, simply find out who you are not allowed to criticize" -Voltaire Overtons window.? What is freedom? Who makes the rules? Can I stand in my own truth, and at what cost? These are questions I have puzzled over for most of my adult life. I created this piece as a way of starting to give voice to my ideas on freedom and conformity.....even happiness. I started with a rough image until I achieved the composition, rhythm and color passages that best conveyed the emotional content of my vision and experience. At that point, I only offer experience. This work started as a purely digital piece and after I create the final Giclee print I often add touches with a bit of pastel and pencil. . The actual printed color image size will be 23" wide x 32" high. The white paper margin around the print will bring the size of the print to 30" wide x 41" high. This will give a printed image approx. the size of the original art and give you some white margin for trimming and fitting into a frame. I am using a very reputable fine art printer in the Hartford, Ct area that offers high-quality Giclee archival printing on 308 gram Photo Rag acid-free Hahnemuhle paper- some of the finest fine art print paper available. This is a heavy, all-cotton rag paper with a smooth satin texture so that it closely matches the weight and finish of the original piece. The paper and Giclee printing will yield an excellent copy of the original that will remain color-true for 100 years. I will hand-sign and number each print and limit the run to 100 copies. I am also providing a very nicely laid out Certificate of Authenticity with all the detail of the creation, medium and materials used. I will number and sign the COA. I include a unique and unforgeable 3-dimensional gold paint stamp establish this piece as absolutely original and signify it’s issue in the editions of 100. Thank you.

Details & Dimensions

Mixed Media:Pastel on Paper

Artist Produced Limited Edition of:10

Size:30 W x 41 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bryan is a polymath- part designer, inventor, and artist. Bryan has created and designed award-winning new products for many corporations. Bryan has been named as inventor and designer in 35+ patents filed in 80 countries worldwide. Bryan has also received over a dozen industry awards for his innovations including an IDSA gold award for the Snakelight Flexible Flashlight. The Snakelight was selected by the Cooper-Hewitt National Design Museum for its permanent design collection. Bryan holds a B.S. Industrial Design from the University of Bridgeport where he also studied figure drawing and perspective under Jack Kovatch. Mr. Kovatch was a lead animator at Disney studios during the creation of 1001 Dalmatians. Bryan has also studied color theory and black and white photography. Largely a self-taught artist, Bryan started painting and drawing at a very young age working primarily in watercolor. He started painting with more commitment in 1985 while living in Cambridge, Mass. Artistic statement. Exploration, personal reflection and discovery are what I seek in in all things I enjoy, including art. I want the art I create to provoke, move, or disrupt the viewer- to transport them, at least momentarily, to a new or perhaps forgotten and deeply felt place. To know this is to know me. It’s well understood that the human brain is a complex and powerful pattern recognition organ relentlessly striving to find balance between order and chaos. This tendency toward recognition partially explains why we see faces in clouds or the Madonna in a piece of toast. Realist art is satisfying because “getting” an artwork brings a momentary feeling of victory. In contrast, abstract art confronts the viewer. The art raises the questions instead of the other way around. There is a mystery to abstract art that encourages a long arc of exploration, personal reflection and discovery. I am increasingly looking inward, rather than outward to the material world, for artistic inspiration- indulging my inner muse by seeking refuge in forms of expression that deliberately jettison recognizable content- concentrating on color, texture and form to offer a deeply felt experience. I sometimes start with a vague idea and emotion but, often the idea changes as the work evolves. Some of my more satisfying pieces were created when I relinquish conscious control of the inspirational idea and let the developing piece guide my next steps.

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