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Printmaking, Monotype on Paper
Size: 6.9 W x 8.9 H x 0.1 D in
Ships in a Box
$200
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118 Views
4
ABOUT THE ARTWORK
Monotype print on paper, with seemingly ghostly looked facial features in between the images, vaguely together with transfer print from Chinese lettered newspaper. Edition of 1. Paper: 50gsm, Yellowish Beige Original prints by Sim Hoi Ling. Please allow some difference in color due to different color calibration across devices, and 1-3mm difference due to manual measurement. Framing is not included. This print will be signed and titled in pencil on the bottom right of the print. You will receive a certificate of authenticity with your purchase. World Wide shipping takes around 10 days to arrive, depending on final destination.
Original Created:
2017
Subjects:
Materials:
DETAILS AND DIMENSIONS
Printmaking:
Monotype on Paper
Original:
One-of-a-kind Artwork
Size:
6.9 W x 8.9 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Malaysia.
Have additional questions?
Please visit our help section or contact us.
Sim Hoi Ling
Malaysia
Website | Sim Hoi Ling is an image-maker whose praxis is influenced by photography, with her subject often revolves around places of decayed. She enjoys exploring unconventional ways of marks-making and has exhibited works in the form of printmaking, media/video art, installation and performance. Her work was presented at festivals across Malaysia, Indonesia and Thailand, also collected internationally by collectors from the United States, Canada, Germany and Malaysia. - She has exhibited in Kuala Lumpur Experimental Film Festival (KLEX): ZERO ONE (2019), with the video work about the merging of realities in the advent of the internet and digital culture; Melaka Arts & Performance Festival, The Baboon House Malacca (2019), with her interactive voice installation regarding an existence grappling in between life and death; Animistic Apparatus Artistic Research Lab, Udon Thani, Thailand (2019), a self recursive installation device utilising insects and motion sensors, accompanying the video work "VR" by Manasak Khlongchainan; UNESCO Day Celebration: Youth for Change (2018), an interactive installation with the woes of endangered animals in pierced bamboos.
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