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United Kingdom
Sculpture, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 12.6 W x 17.7 H x 4.7 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
WALL HANGING FABRIC SCULPTURE "A Feast in Time Of Plague" is a sculpture painted by watercolour and carved by fire, where opposites colours, blue and red, are juxtaposed. Velvet and silk fabrics, symbols of wealth and pleasure, are melted together without sewing&glue. The sculpture explores the themes of consumerism, the contradictory human nature and paradoxical people’s behaviour during Covid times. The title “A Feast in Time Of Plague” refers to the namesake play by Alexandr Pushkin, whose central theme is about the choice between saving yourself and others or satisfying the present selfish needs.
Sculpture:Fabric on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:12.6 W x 17.7 H x 4.7 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Ekaterina Adelskaya (b. 1988, Moscow) is a Russian artist with Ukrainian roots, living and working in London. Her artistic focus is in sculptures and watercolours with a strong emphasis on exploring materiality, destruction and transformative processes. Since 2015, Ekaterina has exhibited her works in various prestigious venues, including The Royal Academy of Arts in London, The Royal West of England Academy in Bristol, London Art Biennale, CICA Museum, Moscow Biennale of Contemporary Art. Her works are held in private collections in the UK, Italy, and Russia. Notably, in 2020, her object 'Blurring' was included in CICA Museum's permanent collection, while 'Letting Go' won the "Watercolour 2nd Prize" at the 168th Annual Exhibition of the Royal West of England Academy. "In my practice, I frequently incorporate textiles, minerals/pigments and found objects, subjecting them to various forms of deterioration and destruction. The method of deconstruction plays a significant role as it often leads to the creation of something new, opening doors to uncharted territories in my research and experimentation. My investigation of materiality serves as a lens through which I decipher the intricacies of our world, enabling me to discover the complexities of human existence and its impact on the environment, particularly in the context of the current climate emergency. By embracing the transformative nature of materials I reflect on the impermanence, imperfection and fragility of life. I believe that the transformation of matter is an integral part of our existence — it is life itself. We constantly adapt, thrive and decay in a continuous flow of change."
Artist featured by Saatchi Art in a collection
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