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The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd sculpture elaborates on the form with the addition of the concavities. I hope the concavities add another layer of mystery and depth to the concept. 

The sculpture is made of two pieces of wood joined together by laminating two flat sides. To flatten the stock I use a block plane and a square to check for true. The grain direction is matched for a fluid figure. 

I hope this form will add charm and stillness to a chosen special area. Inspiration for these forms includes such subjects as: the human condition, the mystery of perception and awareness, and human potential. I explore ideas such as: motion in stillness, time and timelessness, and psychological interpretation of abstract form.
The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd sculpture elaborates on the form with the addition of the concavities. I hope the concavities add another layer of mystery and depth to the concept. 

The sculpture is made of two pieces of wood joined together by laminating two flat sides. To flatten the stock I use a block plane and a square to check for true. The grain direction is matched for a fluid figure. 

I hope this form will add charm and stillness to a chosen special area. Inspiration for these forms includes such subjects as: the human condition, the mystery of perception and awareness, and human potential. I explore ideas such as: motion in stillness, time and timelessness, and psychological interpretation of abstract form.
The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd sculpture elaborates on the form with the addition of the concavities. I hope the concavities add another layer of mystery and depth to the concept. 

The sculpture is made of two pieces of wood joined together by laminating two flat sides. To flatten the stock I use a block plane and a square to check for true. The grain direction is matched for a fluid figure. 

I hope this form will add charm and stillness to a chosen special area. Inspiration for these forms includes such subjects as: the human condition, the mystery of perception and awareness, and human potential. I explore ideas such as: motion in stillness, time and timelessness, and psychological interpretation of abstract form.
The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd sculpture elaborates on the form with the addition of the concavities. I hope the concavities add another layer of mystery and depth to the concept. 

The sculpture is made of two pieces of wood joined together by laminating two flat sides. To flatten the stock I use a block plane and a square to check for true. The grain direction is matched for a fluid figure. 

I hope this form will add charm and stillness to a chosen special area. Inspiration for these forms includes such subjects as: the human condition, the mystery of perception and awareness, and human potential. I explore ideas such as: motion in stillness, time and timelessness, and psychological interpretation of abstract form.
The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd sculpture elaborates on the form with the addition of the concavities. I hope the concavities add another layer of mystery and depth to the concept. 

The sculpture is made of two pieces of wood joined together by laminating two flat sides. To flatten the stock I use a block plane and a square to check for true. The grain direction is matched for a fluid figure. 

I hope this form will add charm and stillness to a chosen special area. Inspiration for these forms includes such subjects as: the human condition, the mystery of perception and awareness, and human potential. I explore ideas such as: motion in stillness, time and timelessness, and psychological interpretation of abstract form.

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Abstract Wood Sculpture - Butoh Tripod No.3 - Carved From Black Walnut With Hand Tools - Freestanding, Modern, Contemporary, Natural Sculpture

Mike Sasaki

Canada

Sculpture, Wood

Size: 14 W x 8.9 H x 10.2 D cm

Ships in a Box

SOLD
Originally listed for €344

1264 Views

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The third in the "Butoh Tripod" series, it is carved from Black Walnut and coated with beeswax and mineral oil for its richness in colour and sheen. Inspired by butoh, the Japanese avante-garde dance, the original in the series (see shop page) was meant to possess a curious melancholy. This 3rd scul...

Year Created:

2018

Subject:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

14 W x 8.9 H x 10.2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

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Need more information?

"The wood forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits." As a child I would take to drawing whatever interested me, be it hockey goalies in action, mammal anatomy, or comics. These long hours of drawing lead to making art a focus of my formal education. After graduating from the Bachelor of Design Honours program at York University / Sheridan College in 2005 (where I regularly incorporated hand-drawn material into the designs), I lived in Tokyo for 5 years where I was immersed in traditional and modern Japanese culture. Studying martial arts helped to strengthen my already growing interest in philosophy and metaphysics. In my search for a hands-on approach to life and work, sculpting in wood came like an epiphany. The forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits. I am currently living and working in Metro Vancouver where besides the sculptures, I am also developing a body of painting and relief wall artwork.

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