Driftscapes: Uncertainty that Speeds (Panel II) Sculpture

In the current epoch of the Anthropocet, I can no longer discern whether the Garden is being cultivated or destroyed. Following my initial interests in architecture, I became drawn to processes of making and unmaking, and how new construction always incorporates aspects of destruction. After completing my undergraduate studies in architecture at University of Michigan, I wanted to expand my investigation of liminal spaces, metaphors for displacement, and the erosion of self and state. I’m interested in flipping the Global South; through sculpture, living installations, and works on canvas that relocate power in the most unlikely of spaces.