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"Geometric infinity (h.188)" is a sculpture of the condensation dispersion cycle of matter. In this case the condensation is more pertinent. A series of rectilinear bars of stainless steel box are used as starting element. The bars are sectioned in random sizes and assembled respecting as much as possible the adherence to the three Cartesian axes of the 3D space (x, y, z) the compositional freedom is contained in a sort of invisible wrapping in the form of a parallelepiped with a rectangular base . The rules of composition are that the broken wanders to the two ends without touching and joins the end of its path in a single point making the figure a continuous break line. Precisely a sort of sign of geometric infinity, fruit in the moment of the composition of my sense of balance in my imagination and my mood. The theme of spatial improvisation, a sort of three-dimensional jazz with balances and disequilibria, using margins within which to improvise and harmonize forms, was interesting to deal with this sculpture.
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Geometric infinity (h.188) Sculpture

Michele Rizzi

Italy

Sculpture, Metal on Stainless Steel

Size: 16.5 W x 74 H x 16.5 D in

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Originally listed for $6,910
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2147 Views
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About The Artwork

"Geometric infinity (h.188)" is a sculpture of the condensation dispersion cycle of matter. In this case the condensation is more pertinent. A series of rectilinear bars of stainless steel box are used as starting element. The bars are sectioned in random sizes and assembled respecting as much as possible the adherence to the three Cartesian axes of the 3D space (x, y, z) the compositional freedom is contained in a sort of invisible wrapping in the form of a parallelepiped with a rectangular base . The rules of composition are that the broken wanders to the two ends without touching and joins the end of its path in a single point making the figure a continuous break line. Precisely a sort of sign of geometric infinity, fruit in the moment of the composition of my sense of balance in my imagination and my mood. The theme of spatial improvisation, a sort of three-dimensional jazz with balances and disequilibria, using margins within which to improvise and harmonize forms, was interesting to deal with this sculpture.

Details & Dimensions

Sculpture:Metal on Stainless Steel

Original:One-of-a-kind Artwork

Size:16.5 W x 74 H x 16.5 D in

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Michael Rizzi is an Italian artist born in Turin in 1971 (he currently lives near Turin Italy) best known for sculptures "Condensation and dispersion of matter." Sculptures made with steel, wire and iron mesh, which enhance the feeling of discontinuity of matter (solids and voids). If the sculpture of the past was essentially remove excess material, this kind of sculpture is to score the material at the points established and well-measured quantity. Regarding the forms, are prevalent human figures, organic and vegetal figures (real, abstract or fantasy). who suffer from the most different influences ranging from the ancient Minoan art and African (athletic and Thin figures) to the sculptures of the last century by A. Giacometti to the latest figures pseudo alien or humanity of the future, up to the recent "Manga "Japanese. The incompleteness and deficiencies are the added value of these jobs from which flows the perpetual fascination of the ruins and archaeological remains. The artist likes to think of the sculptures as in archaeological findings received from the distant futureand therefore at the same time have a double aesthetic value: archaic and futuristic . The heroism and courage of facing life or just living is a recurring theme in these works as well as the simple contemplation, inordinate and disproportionate individual (humanity) in the presence of the universe, time and space. He recently started a cycle of sculptures with the main material being transparent resin and vegetables and materials present in nature. Painting by Michele Rizzi follows a seemingly distinct from the sculptures but for neighboring intent and in some cases coinciding with the work in three dimensions. His painting came to degrees from a figurative painting (fantastic landscapes future) to a more abstract representation, up to an abstraction that is influenced by the painting of Gerhard Richter (physical and mechanical work on the color pulled with wooden frames) from which it deviates by rarefaction and for the insertion of figures that give more or less distinct size, depth and meaning abstraction transforming it into abstract landscape. Both (sculpture and painting by Michele Rizzi) pursue the future in the knowledge that the future is essential from the past. A sort of hole in space-time (black hole) that enables the past and the future to come in contact generating overlapping and hybridization and an infinity of shades and consequent emotions. www.facebook.

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