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I built this fish from bark and sticks Sculpture

Gunvor Anhoj

Ireland

Sculpture, Bronze on Steel

Size: 12.2 W x 48 H x 10.6 D in

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About The Artwork

For this piece I cast Co. Wicklow sticks in bronze and interwove them with forged bark. A playful and visually dramatic sculpture suitable for outdoors. Corten steel base sealed with a high quality polyvinyl resin. I have been drawn to the fish shape for some time, I love it’s potential for visual drama. The first fish I made had a criss cross of chiseled slabs forming a sort of snow shoe effect (‘Big Fish’ 2017). I like when you can portray something in a pattern using as few components as possible, so it ends up looking like a child might have gone ahead and made it spontaneously out of simple building blocks at hand. After a bit of research I was very pleased to find that one of the names for the fish-shape is ‘Mandorla’ (means almond in Italian) and that it’s said to be one of the most ancient symbols known to humankind. It’s also known as the ‘Vesica Piscis’, which apparently symbolises the sacred geometrical pattern of life on Earth.The idea of casting sticks in bronze came about one spring when birds – nesting in the roof of our forge – left a fresh supply of twigs on the floor every morning. I have since collected the appropriate sticks around the grounds of Russborough House where my studio is based – beech seems to be especially suited. It fits right into my ethos of searching for fundamental shapes to build with. The world can get a little complex at times and so to counterbalance I’m attracted to portraying what’s fundamental, primal and natural in my sculptural work.

Details & Dimensions

Sculpture:Bronze on Steel

Original:One-of-a-kind Artwork

Size:12.2 W x 48 H x 10.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Gunvor hails from a family of engineers and priests so perhaps it is no surprise she ended up a sculptor. Her first memory of metal was it’s distinct smell visiting her granddad’s workshop on the West Coast of Denmark. Her first meeting with iron as a tool, was when required to plough the fields the old way with horses and a one-furrow plough. Gunvor composes her sculptures using a minimal amount of components which she assembles in a way that suggest a childish or informal creation. Her work is dramatic yet playful. To retain a sense of the human touch – which can be otherwise absent in large scale metal sculpture – Gunvor purposely leaves her maker’s marks in the form of heavy surface texture.

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