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I Love the Water Too Sculpture

Ché Finch

United Kingdom

Sculpture, Ceramic on Ceramic

Size: 9.8 W x 8.3 H x 0.2 D in

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About The Artwork

'I Love the Water Too' is part of a series of ceramic paintings focusing on the artists love of the sea and working on Mean Catchment Surveys in South Africa in the late 1990’s, exploring ones authentic self and a love of nature in all its power, echoing Byrons ‘I love not Man the less, but Nature more’. “The crayfish boat I worked on was dangerous, the sides of the fishing boat were low at around 60cm to allow the 6 foot cages being hauled up from the ocean floor over the side of the boat by heavy winches. It was Autumn going into Winter, off the Cape of Good Hope, some of the most dangerous seas in the world. The waves were high, often times enveloping the deck, you needed a sense of acceptance that the sea would take what it would, no matter, in order to survive the danger. Often times I would sit on the side of the boat during stormy waters, and stare at waves, relaxing into the danger. Like relaxing into a fall, a form of self preservation in the face of danger. There was a crew of eight Zulu men and a mixed race Captain. Initially my colleague and I were obstructed in our monitoring survey; the crew already had long hard days and were not being financially reimbursed for our survey which added at least four hours to their day. Over time though we eased into a rhythm of getting to know each other and mutual friendship, in some small part due to a growing respect for two young women working hard alongside the crew under dangerous conditions. It was humbling. I grew up 'free range' to some extent as a young child in South Africa, which enabled me to develop a sense of adventure, imagination and self-reliance. My brother and I would disappear in the morning when I was a 9 year old and walk for miles across the bush, or explore the waterways in our area via canoe… left to grow, roam and dream our own reality. It was profound. When it was tea time, my mum used to blow a bugel to let us know it was time to come home, and if we didn’t hear it, we could feel the time and know it was time to return home. During this time I encountered extremes of being; dangerous breathtaking storms, intense moments of observation when looking at ants or insects going about their lives, the flight of birds in their thousands, vast horizons, stunning sunsets, moments of heart stopping fear when lion footprints were fresh and peaceful bliss when I gazed up to the sky and felt the heat of the day from the ground. It was an amazing immersive experience to be allowed to 'find' myself as a child, without the scrutiny of adults”.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:9.8 W x 8.3 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ché Finch is a British South African sculptor specialising in ceramics and conceptual art. Characterised for her raw and abstracted style. “My work is often emotional, depicting states of mind which are of the moment, as much as concepts. There are meditative qualities during the initial making process of the hand-coiled vases, where, scraping ‘clay off clay’ to sculpt the final shape produces a range of sounds that lend themselves to a gradual exploration of memories and new visuals. I am interested in visual disturbance, in placing a line or mark where it elicits a visceral response, in how this resonates with the viewer and in what possible new visual signatures arise from this process. I’m especially interested in creating conditions that lead to new visuals and in environments which cultivate intense focus and the facilitation of 'deep work', with an interest in neuroplasticity. Much of my earlier processes were based around reducing visual noise in order to focus on key elements (which resulted in more abstract work), this was in part influenced by earlier experiences working with African Rhythm Tree as a tutor, which uses core structures to facilitate innovation”. Ché Finch also has a history in co-founding Arts Organisations, organising and curating exhibitions in the North West.

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