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Sculpture, Paper on Paper
Size: 26 W x 26 H x 0.8 D in
Ships in a Crate
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Artist featured in a collection
My language is often metaphorical, crossed by sincere intentions in its translation of the sensitive world. I refine my vision so that it can promise an enriched understanding, enhanced by a very modest contribution in reality, but it is a consciousness addressing to another one and yet the imagination is not very comfortable in a world full with images where common sense seems to have lost its way. Exposed daily to the reality of a confrontation which I consider ambivalent, unequal, which is that which constitutes logging, where the natural environment is very often outraged, destroyed, submits to the dictate of money performance. I wanted to take a little of this plant material, that which embodies the soul of the woods and forests, often promised to a destination so un noble that it is not useful to talk about it. A tree life can not be reduced to its humiliation, also through kraft paper, I use a natural medium, modest and common, which returns me the soft and poetic light of the undergrowth, which are my walking companions . By using this natural fiber for artistic purposes, it seems to me that I am restoring a little, to my extent, an awareness of collective memory, that which concerns trees and our alas, albeit uncertain future.
2020
Paper on Paper
One-of-a-kind Artwork
26 W x 26 H x 0.8 D in
Black
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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After studying classical secondary school, modern letters I chose to guide my teaching within the artistic community by integrating French cinema, assistant director, section Conservatory in Paris and the Ecole des Beaux Arts I worked several years later in the field of advertising as an assistant director. Then I left install me in French Polynesia in 1991. As a first step, I have collaborated with an advertising agency (composition of scenarios), writing news articles and news publication. My job as a sculptor is fed since childhood of the same passion and it is through writing it had made its momentum, by research and reflection on the oral transmission of preliterate peoples. So I developed a job close to abstraction form sculptures murals or Totem since I exercise the profession of sculptor full-time and my job is oriented on the trace, the sign in the close connection which unites us to the subject, my support today is almost exclusively mineral. I am now working on Kraft paper, carving the paper, tribute to the devastated nature by the human being, a prayer for the sacrified trees.
Artist featured by Saatchi Art in a collection
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