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Jazz Drummer Sculpture

David Sànchez Leòn

Spain

Sculpture, Metal on Iron

Size: 8.7 W x 18.5 H x 5.9 D in

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$780

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About The Artwork

This figurative abstract sculpture bears a striking resemblance to a jazz drummer in action. The medium used to create this piece is painted wire in various colors, which give it a playful and dynamic appearance. The wire forms the outline of the drummer, with bold strokes and curves that capture the movement and energy of the music. The sculpture has a metal base that keeps it stable and secure, allowing it to stand on its own and be placed on any surface. Its compact size of 15x47x22 cm makes it the perfect addition to any room or space, adding character and charm to any setting. The vibrant shades used in the painting of the wire give the piece a playful and upbeat vibe that captures the essence of jazz music. The sharp angles and graceful curves used in the design of the sculpture give it a unique spin that sets it apart from other figurative art. Overall, this sculpture is a beautiful and unique piece of art that captures the energy and essence of jazz music. It is an excellent addition to any collection, whether you are a fan of music or simply appreciate well-crafted art. To send the piece, first the piece is wrapped with a thin layer of acid-free paper, then it is covered with bubble wrap so that the piece is highly protected. At the end of these two packaging processes, I build a box exclusively for the work, with a very thick cardboard capable of withstanding possible incidents in transport and that the work reaches your hands in perfect condition.

Details & Dimensions

Sculpture:Metal on Iron

Original:One-of-a-kind Artwork

Size:8.7 W x 18.5 H x 5.9 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi my name is David León, also known as @ds.leon, I am a multidisciplinary artist with a primary focus on figurative sculpture and also have experience in painting. My story began on a stormy night in the summer of 1979 in Barcelona when a 21-year-old woman gave birth to her first child, a small, big-headed, and hairy boy. I studied in different traditional private schools, where "donkey, the letter only enters with blood" was the motto. Throughout those years, I was humiliated and mistreated, which led me to hide my connection with the plastic arts out of shame and embarrassment. At the age of 14, my mother, after spending a fortune on "RUBIO" handwriting notebooks, decided to take me to a psychologist. Yes, I had dyslexia, so I couldn't write or draw, let alone read. With that diagnosis, a new chapter of my life began: a teacher taught me how to write again. I continued my high school studies and graduated as a Technician in Metal Construction. During those years, the explosion of rap and graffiti took place, which captivated me. In 1994, Montana Colors arrived in paint stores, and armed with the most colorful sprays of the time, I started painting walls like crazy. Although my artwork was not very good, I continued to do it impulsively because I felt an internal need to express myself. Some considered me an artist, but for others, I was simply a vandal dirtying the walls of Barcelona. The years passed, and punk conquered me: the music, the concerts, the libertarian collectives, the squats... They kept me away from the art world for some time. It was another way to express myself to a society that not long ago had emerged from a dictatorship. This time, the materials and mediums were the same, but the colors and messages were different: blacks, reds, and yellows. It was a rebellious youth filled with demands for labor rights, gender equality, discontent with wars and hard drugs, among other things. Following my curiosity and need to express what I feel, my unique way of seeing life and what surrounds me, the day came when I transitioned from the street to exhibition halls to explain and share my story and concerns with a different kind of audience through art.

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