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France
Sculpture, Wax on Soft (Yarn, Cotton, Fabric)
Size: 12.2 W x 25.6 H x 9.8 D in
Ships in a Crate
Sculpture from the Apocalypse Now series. Objects collapsing into a dystopian landscape where I connect past and present, presence and presence. The sculptures are created from found objects and natural materials.
Sculpture:Wax on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:12.2 W x 25.6 H x 9.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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France
Alexandra Nesterkina (b.1990). Graduated from the course «Contemporary Art» at the British Higher School of Art and Design in 2018 and The Institute of Contemporary Art in 2020. Since 2018, she has been taking part in exhibitions. Works in the genre of sculpture and object. Lives and works in Moscow. The artist uses natural materials - wood, stones, parts of animal origin, found objects, complementing them with tactile forms made of clay or wax. The main themes of her art natural aesthetics, ruins, magic. The main plot of the works is the interaction of organic and inorganic principles, natural and artificial. All works have relative freedom of interpretation and surreal potential. There are two types of works. The first are sculptures, created as if for dystopian landscape of the future, representing compact stories, which the artist calls to herself ‘the little tragedies’. They produce multi-layered impressions, the past and the present, absence and presence. The second are objects that become comprehensible through tactile contact, have a secluded intonation and an obvious, but lost magical purpose. Both types are essentially ruins. Ruin is one of the important concepts of the artist’s creative world, combining elegiac perception of nature and fear of the technicized world of the future.
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