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Me Seeings Us Sculpture

Michael Tauschinger-Dempsey

United States

Sculpture, Glass on Glass

Size: 19.7 W x 23.6 H x 3.9 D in

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About The Artwork

Me Seeing Us consists of glass panes in wooden frames placed in the center of a table with four chairs. The glass panes are coated with very thin, mirrored strips, which allows spectators sitting on opposite sides of the frames to simultaneously see the person on the other side and their own reflection. Despite the apparent technical simplicity of the work, the human brain is incapable of separating these two images. The reflected image merges with the projected image and creates a composite of both—an unexpected hybrid being. The participant sees a hybrid image of him/herself and the person sitting in front of him/her, bringing to mind questions about our identity and its relative (in)stability. Sitting at a table, being face-to-face with another person from whom one is separated only by slightly obstructive glass conjures (mostly thanks to movies) the association of the visiting room in a penitentiary. What in the latter association is a clear distinction between who is ‘in’ and who is ‘out’, who is free and who is captive remains, in this case, ambiguous. The hybrid is a disturbing mélange of traits and features and visible back-stories; it is only as individuals that we distinguish ourselves.The wooden frames also function like windows in that they give the participant the impression of looking outside from a perceived inside (or vice versa), while at the same time, owing to the reflective strips, acting like an unusual ‘window’ into the self. In Me Seeing Us, the voyeurism/exhibitionism dialectic is as important as the issue of surveillance, for there too, the two participants develop an unlikely intimacy through their simultaneous acts of surveillance and being surveilled. At base, underlining this entire act of creation and discovery is the implicit reminder of the endpoint of this sort of deep exploration: self-destruction. Recalling the fate of Narcissus… This is what the experience can look like: https://vimeo.com/24444151

Details & Dimensions

Sculpture:Glass on Glass

Original:One-of-a-kind Artwork

Size:19.7 W x 23.6 H x 3.9 D in

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Tauschinger-Dempsey is a research-based artist working at the intersection of visual culture studies, anthropology, and social studies. His current art practice investigates formulaic “western” life styles and military managerial models, including surveillance, terrorism, corporatism, suspicion, and technology. Recent works include experimentation with interactive robots (TRASHBOT), media and photographic installations on collateral damage in the War on Terror (Suspensions), and multimedia collage connecting ancient and modern time and space (The Great Ziggurat of Ur and Google’s Quest for the Book of Sand). He has also been published in Media Fields Journal (2014). Prior to that, Tauschinger-Dempsey completed an interdisciplinary MFA in sculpture and architecture at the Academy of Arts Düsseldorf, Germany and an MFA in Digital Media at the Rhode Island School of Design in Providence, RI. His work has been displayed across the United States and has been recently acquired by the Duke Kenan Institute for Ethics and the Granoff Center for the Creative Arts at Brown University.

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