VIEW IN MY ROOM
Italy
Sculpture, Ceramic on Ceramic
Size: 5.1 W x 9.4 H x 5.9 D in
Ships in a Box
Small work in refractory clay, glazed. there is always my desire to show lightness and sweetness even with a heavy material like clay. I play with full and empty again. The voids do not take anything away, in my opinion, from the expressiveness of the subject which remains however recognizable as the image of a motherhood.
Original Created:2001
Subjects:Family
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:5.1 W x 9.4 H x 5.9 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Fiorella Thomas was born in Rome on August 19, 1955. Always interested in art in all its forms, she followed the courses of the Faculty of Architecture for a few years but finally decided on a decidedly artistic and less technical-functional path. From 1984 he began to follow modeling courses in Italy and abroad, focusing mainly on sculpture as his favorite artistic expression. His material of choice is clay. He starts teaching at some Roman associations since 1985. He has exhibited at several Roman group exhibitions. It has been reviewed in the periodical "Tracciati d'Arte" by the critic Giacomo Belloni who describes his art as light and delicate. Belloni writes: "The figures of Fiorella Thomas are these: lay icons, hyperuranic entities, women and girls taken from the very idea of femininity to be molded in clay as impalpable essences. When we find ourselves in front of a sculpture by Fiorella Thomas we take a break to deliberately distract ourselves from reality and enter a sort of confusional state, of bewilderment; a state in which every certainty is upset. Postures that are always gentle and delicate, impalpable faces, as if veiled by a light powder that softens any wrinkled or forced expression "Tracciati d'Arte n.12 2015
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