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Orphan (maquette study) Sculpture

Ché Finch

United Kingdom

Sculpture, Ceramic on Ceramic

Size: 5 W x 7 H x 5 D in

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About The Artwork

Maquette study for Orphan is a hand-coiled ceramic vase that depicts an abstract metal fenced gate at the exit of an orphanage, internally there is a red stain representing the blood of a young boy. It explores themes of childhood loss and abandonment, as well as, an act of remembrance for a young boy in apartheid South Africa. Orphan refers to Ché Finch's experience whilst staying at an orphange aged four with her brother who had been quarantined due to infectious illness. It recounts abandonment, isolation and hope whilst waiting at the gate for a loved one to visit. The red stain hidden within the pot symbolises the death of a young black boy in apartheid South Africa and an unresolved sense of loss for his life and humanity. A hand coiled vase, with three distinct horizontal areas built up in stages starting at the base of the vase. Texture in the lower third of the vase was created using oxides and glazes to create a chemical reaction reminiscent of volcanic activity with areas of iridescence. Smoothness to depict fence lines amidst this interaction was created using string as a resist. The area was then protected with a wax resist before the second third of the vase was created, with a further wax resist to protect the area. Finally further glazes were poured inside and outside the remaining upper third of the vase ultimately creating a veil over the barium green in the second third of the vase, creating inaccessibility and a sense of obstruction. Orphan's diverse surface invites the viewer to hold the vase. This repeated layering process using multiple glazes is a signature of Ché Finch's work, with a focus on glaze interactions referencing flux.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:5 W x 7 H x 5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ché Finch is a British South African sculptor specialising in ceramics and conceptual art. Characterised for her raw and abstracted style. “My work is often emotional, depicting states of mind which are of the moment, as much as concepts. There are meditative qualities during the initial making process of the hand-coiled vases, where, scraping ‘clay off clay’ to sculpt the final shape produces a range of sounds that lend themselves to a gradual exploration of memories and new visuals. I am interested in visual disturbance, in placing a line or mark where it elicits a visceral response, in how this resonates with the viewer and in what possible new visual signatures arise from this process. I’m especially interested in creating conditions that lead to new visuals and in environments which cultivate intense focus and the facilitation of 'deep work', with an interest in neuroplasticity. Much of my earlier processes were based around reducing visual noise in order to focus on key elements (which resulted in more abstract work), this was in part influenced by earlier experiences working with African Rhythm Tree as a tutor, which uses core structures to facilitate innovation”. Ché Finch also has a history in co-founding Arts Organisations, organising and curating exhibitions in the North West.

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