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Re-estauration Sculpture

Enrique Nunez

Ecuador

Sculpture, Adobe land of patrimonial houses on Other

Size: 3.9 W x 3.5 H x 0 D in

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About The Artwork

Es 2014, en una importante avenida de las afueras de la ciudad de Cuenca-Ecuador, se observa maquinaria trabajando sin descanso, veredas en proceso de destrucción y sobre todo, gran cantidad de escombros. Aparenta ser una remodelación común, sin embargo, lo particular de ésta radica en sus escombros, la mayoría de adobe, un material noble utilizado para construir las antiguas viviendas, ahora destruidas, del sector. Material que, al encontrarse distribuido por la avenida, derivó en esta obra que busca reconstruir visual y simbólicamente esas viviendas, en base a sus mismos escombros y a la memoria oral sobre éstas: recuerdos, relatos y vivencias proporcionados por sus propietarios. La obra cierra con la entrega de cada casa reconstruida a pequeña escala a su dueño, haciendo un guiño al popular “recuerdo”, objeto de conmemoración que se entrega en celebraciones eclesiásticas a todos los asistentes.

Details & Dimensions

Sculpture:Adobe land of patrimonial houses on Other

Original:One-of-a-kind Artwork

Size:3.9 W x 3.5 H x 0 D in

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Enrique Núñez Endara (October 19, 1987), multidisciplinary plastic artist, born in the city of Machala, currently working in the city of Cuenca. Active member and founder of the LaKomuna art collective. Since 2008 I have linked my creative processes with different activist spaces related to the protection of nature and the environment from rural sectors of Ecuador, an experience that has been forged with my artistic production and management, understanding different aesthetics around creative artivism, art and activism. and the community practices of the southern Ecuadorian highlands, dynamics such as barter, minka, collective spaces such as the assembly, etc. They have influenced me in different methodical ways when building an "artistic" project, appropriating these resources to apply them in my production, experiences that help me to improve the conditions in the development and execution of my artistic productions, this topic I always put in questioning in the development of production, by the ways of understanding the different methods of creation and research in the field of culture and education, with the aim of transgressing / reflecting on dogmatic and immutable foundations practiced in mestizo / indigenous peoples and communities from the sierra area of ​​Ecuador.

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