view additional image 1
This is variation on »Jigsaws«. Made by 4 similar semi-triangular forms with notches. The painted one and the brown one are the first to be assembled in to a cross-like formation (sticked into notches). Then you add two orange ones on both sides, like »wings«. How do you place it at the end it's your decision, because it can stand on all sides. Just be sure parts are firmly sticked.
 this sculpture does not have a particular message- it's a pure joy of putting forms together; playful, imaginative object....
This is variation on »Jigsaws«. Made by 4 similar semi-triangular forms with notches. The painted one and the brown one are the first to be assembled in to a cross-like formation (sticked into notches). Then you add two orange ones on both sides, like »wings«. How do you place it at the end it's your decision, because it can stand on all sides. Just be sure parts are firmly sticked.
 this sculpture does not have a particular message- it's a pure joy of putting forms together; playful, imaginative object....
This is variation on »Jigsaws«. Made by 4 similar semi-triangular forms with notches. The painted one and the brown one are the first to be assembled in to a cross-like formation (sticked into notches). Then you add two orange ones on both sides, like »wings«. How do you place it at the end it's your decision, because it can stand on all sides. Just be sure parts are firmly sticked.
 this sculpture does not have a particular message- it's a pure joy of putting forms together; playful, imaginative object....
218 Views
3

VIEW IN MY ROOM

SMALL COMPOSITUM Sculpture

Saba Skaberne

Slovenia

Sculpture, Ceramic on Ceramic

Size: 7.1 W x 5.5 H x 5.5 D in

Ships in a Box

info-circle
SOLD
Originally listed for $994
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
218 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This is variation on »Jigsaws«. Made by 4 similar semi-triangular forms with notches. The painted one and the brown one are the first to be assembled in to a cross-like formation (sticked into notches). Then you add two orange ones on both sides, like »wings«. How do you place it at the end it's your decision, because it can stand on all sides. Just be sure parts are firmly sticked. this sculpture does not have a particular message- it's a pure joy of putting forms together; playful, imaginative object....

Details & Dimensions

Multi-paneled Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:7.1 W x 5.5 H x 5.5 D in

Number of Pieces:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm interested in many things and I'm on the constant search of new ways to share my thoughts in the visual language, but also stories, universal human issues, issues concerning women and many more…. Therefore I'm also changing materials and forms in order to express this things! I think I don't have a particular style, because everything is subordinated. to the subject I'm interested in. I tend to shell the majority of »feeling« from the material itself. I use a huge range of materials:from classic sculpting materials (predominately clay, stone, glass bronze) to more contemporary ones, like plastic, fibre, felt, found objects, liquid….. to non-material mediums ( video., sound or animation). If I feel vulnerable I might choose felt to work with ( for "protection"), next time,if I feel like »falling to pieces«, I might decide to make sculptures made of multiple pieces that need to be assembled, or when I'm happy and content, I choose clay or metal, to show how strong I'm feeling…. So, there's clearly lndirect physical evidence of my mood/state on material itself!! I'd divide my work on two main complexes: The intimate (smallish) one and the public / large one. In the past I was interested in figure but also the fragments of the human body like hands, legs, bellybuttons, ears….although I don't work very much on figure nowadays I still return back to it now and then, because it's somehow the eternal source…. as it's for material:clay! I'm particularly interested in space, so I often work on site-specific installations. I love to work in remote places somewhere in the nature. For me it's more important the place , where I work, then how many people will actually see this work at the end…. That counts predominately for the public concept. When I work In small scale , the surrounding space is less important – although,it's never totally excluded- there I put a lot of emphasis on detail. I deal a lot with symbols and surrealistic visual language sometimes my art is very minimal, but sometimes rich in form and colour…There was time when I was quite influenced by Magritte, but also Cubism( after my travel to Africa in eighties) and Brancusi. In time of study also new English sculpture had huge influence on me , like Deacon, Kapoor, Woodrow, Caro , Cragg and many others from that generation! My art usually refers to ( personal) past events or premonition of the future or has critical, even sarcastic note to the modern society.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support