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Sense of freedom serie Knitted Nikel wire wings 1 Sculpture

Claudia Lugo

Mexico

Sculpture, Metal on Other

Size: 28 W x 33 H x 4 D in

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$4,950USD

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About The Artwork

This collection is about freedom, lightness, strength and liberation. Starting from the abstract until reaching the use of symbols that help me convey concepts and ideas with which the viewer can relate and create a connection. Transparency has been a constant in my work. I have explored the use of symbols with a Sumi-e style expression. These characteristics are also shown in my sculptural work. After 2020, the worldwide experience that has united us as humanity, I decided to resume my work on wings as a symbol to give a deeper meaning to the concept of freedom. Our freedom of free movement was restricted for the common good and this forces us to give a new meaning to our concept of freedom.

Details & Dimensions

Sculpture:Metal on Other

Original:One-of-a-kind Artwork

Size:28 W x 33 H x 4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Statement witnesses of a subconscious past I have approached sculpture from a gender position to provide an intercultural vision of Mexican women. I have been knitting wire since 2016 and have found my particular way of weaving stories and material; exploring the bonds that are woven with emotions between individuals or groups until I come to reflect on and express the social fabric in my sculpture. With my work, volumes are woven with various closed and organic topological shapes, such as a drop. With wire I explore forms with volume, investigating and probing how far I can grow with a woven volumetric form. I have explored the relationship of light and lighting in relation to my volumetric wire knitting. The knot, in its role of connection, generates links between the different strands that make up the piece, the knitted wire is formed until reaching a volumetric sculptural form with a topological surface. Knots are usually related to problematic situations, the core of the conflict, which do not pass easily, so the knot acquires a role of complementary duality. It is common to appreciate how the different communities produce patterns and techniques that are their own and are generally inherited from previous generations. The transmission of these techniques and knowledge through family ties (woman to woman through generations) give a way patterns and knots within the fabric represent not only a cultural heritage but a bond between family members or said community. When said bond is broken, said rupture is reflected in the family nucleus and, in turn, in the social fabric. In my work, knitting represents an introspective process, it is a mechanism for reflection and remembrance, it is to make clear and visible the different relationships, bonds, that I have generated throughout my life. I chose aluminum, nickel, copper, brass and galvanized wire as they help me represent the way I see the bonds: light, with transparency when weaving them, with strength and resistance as I can see those invisible threads that weave the intra personal links, forming light, organic sculptures with grace and beauty. When I am in my creation process, I reflect on the invisible bonds that bind me to a specific person in each sculpture. The repetition of patterns and rhythm in the knitting helps me to enter into silence and meditation... loops are formed in time, which produces meditation in me.

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