VIEW IN MY ROOM
Kazakhstan
Sculpture, Mixed on Resin
Size: 11 W x 28 H x 3 D in
Rubber slippers, glass, acrylic, wire, acrylic paste, varnish. The sculpture is a metaphor for the journey of life, but it also speaks to the themes of nostalgia, loss of roots, and motherland. The shoes represent the traveler, who is leaving their homeland behind in search of a new life. The tree trunk represents the path ahead, which is both challenging and rewarding.
Original Created:2015
Subjects:Abstract
Materials:ResinAcrylic PasteGlass
Styles:ConceptualContemporary
Mediums:Mixed
Sculpture:Mixed on Resin
Original:One-of-a-kind Artwork
Size:11 W x 28 H x 3 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Kazakhstan
Artist, researcher, art critic, feminist. Now living in Almaty, Kazakhstan. Born in 1987 in Arkhangelsk, Russia. Graduated from the Faculty of Philosophy of Novosibirsk State University, Master of Philosophy. In 2020-2024 was a postgraduate student at the Novosibirsk State University of Architecture, Design and Arts in History of Art. From 2010 to 2013 curated the exhibition project in the Festival of Experimental Poetry EXPERIENCES in Novosibirsk. Since 2015, have been a member of the Rech#port poetry community, author and editor of the magazine Rech#port (syg.ma/rechport). In 2018 initiated the creation of the Siberian Archive of Contemporary Art (siberian-archive.ru) and have been researching contemporary art of Siberia. Participant of philosophical seminars on contemporary philosophy (Deleuze, Derrida, Badiou, Delanda, etc.), in 2022 gave a course of lectures "Introduction to the Philosophy of Art" (Novosibirsk State University, Faculty of Humanities, Novosibirsk, Russia). As an artist I create complex installations, art objects, poetic and textual works, art books, video art and performances elaborating such themes as: religious concepts outside the context of the religious canon (miracle, martyrdom), liberation practices, anarchic virtual communities and spaces, criticism of Russian political reality, institutional criticism and research into the boundaries of Russian censorship, the creation of a Kafkaesque non-existent people and a choir of dubious voices, the study of the human body as the boundaries of the individual and public.
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