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" Signs of human presence from the future" Sculpture

Michele Rizzi

Italy

Sculpture, Metal on Iron

Size: 35.4 W x 65 H x 11.8 D in

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$9,600USD

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225 Views
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About The Artwork

"Signs of human presence from the future" is a sculpture that is part of the series of sculptures condensation dispersion of matter and of the subgroup of sculptures with the theme of the human face and androgen. In reality, the work is intended as an archaeological find from the future. The face is made with metal industrial production waste, steel and stainless steel mesh and sheet metal. The saved artifact presents only a portion of the face but easily allows the original entirety of the face to be reconstructed. The work can be easily hung on a wall through the numerous holes in the upper part of the face. A few spots of red and yellow enliven the creation and the different textures and reflections of the metal parts enrich it with brilliance and contrasts. Very evocative live view. You can see the video of the work on my instagram account / https://www.instagram.com/michelerizziartist/

Details & Dimensions

Sculpture:Metal on Iron

Original:One-of-a-kind Artwork

Size:35.4 W x 65 H x 11.8 D in

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Michael Rizzi is an Italian artist born in Turin in 1971 (he currently lives near Turin Italy) best known for sculptures "Condensation and dispersion of matter." Sculptures made with steel, wire and iron mesh, which enhance the feeling of discontinuity of matter (solids and voids). If the sculpture of the past was essentially remove excess material, this kind of sculpture is to score the material at the points established and well-measured quantity. Regarding the forms, are prevalent human figures, organic and vegetal figures (real, abstract or fantasy). who suffer from the most different influences ranging from the ancient Minoan art and African (athletic and Thin figures) to the sculptures of the last century by A. Giacometti to the latest figures pseudo alien or humanity of the future, up to the recent "Manga "Japanese. The incompleteness and deficiencies are the added value of these jobs from which flows the perpetual fascination of the ruins and archaeological remains. The artist likes to think of the sculptures as in archaeological findings received from the distant futureand therefore at the same time have a double aesthetic value: archaic and futuristic . The heroism and courage of facing life or just living is a recurring theme in these works as well as the simple contemplation, inordinate and disproportionate individual (humanity) in the presence of the universe, time and space. He recently started a cycle of sculptures with the main material being transparent resin and vegetables and materials present in nature. Painting by Michele Rizzi follows a seemingly distinct from the sculptures but for neighboring intent and in some cases coinciding with the work in three dimensions. His painting came to degrees from a figurative painting (fantastic landscapes future) to a more abstract representation, up to an abstraction that is influenced by the painting of Gerhard Richter (physical and mechanical work on the color pulled with wooden frames) from which it deviates by rarefaction and for the insertion of figures that give more or less distinct size, depth and meaning abstraction transforming it into abstract landscape. Both (sculpture and painting by Michele Rizzi) pursue the future in the knowledge that the future is essential from the past. A sort of hole in space-time (black hole) that enables the past and the future to come in contact generating overlapping and hybridization and an infinity of shades and consequent emotions. www.facebook.

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