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Sculpture, Bronze on Bronze
Size: 3.1 W x 7.5 H x 3.1 D in
Ships in a Crate
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Tangled Girl is a small woman bronce bust with octopus hair. Francesca is intrigued by octopuses, they are such amazing creatures, they can squeeze themselves into tiny holes, change shape and color, they are a great metaphor for transformation, change and self challenging. Francesca has different pieces related to octopus, in different sizes and materials. This piece has a black, green, brown and touches of white patina.The black patina is made from the green one, after a burning process, so magical and mystical. This piece is part of a serie of 6, and the patina (colors) can vary a little from piece to piece (I always try to make them the most similar, but part of the beauty of patinas is exactly their uniqueness). She has a bigger version called La Chica y el Pulpo
Sculpture:Bronze on Bronze
Size:3.1 W x 7.5 H x 3.1 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
I'm available for commissions. If you like some artwork that was sold, please let me know: I can make something special for you! STATEMENT: "My work is characterized by mixed anatomies and forms. Human faces and bodies are combined with different textures, skins and elements, giving birth to hybrid beings. Through unusual, bizarre and surreal bodies, my work focuses on the issues of transformation, identity, sense of belonging, self perception and dreams, linking the actual world to a mythological and ancestral universe. I work with the idea of an unconventional beauty as a way of reflection about human values, suggesting different reactions and emotions, and the possibility to question our perceptions. As an artist, I think that the most important task of art is to provoke new feelings and ideas, and finally evoke a change in the viewer. I mainly use sculpture because it is an immediate and direct language without abstraction or synthesis. The sculpture is inevitably honest, solid, hides nothing; It is a perfect tool for self-knowledge and for knowing each other, displaying the ability to contact with yourself." BIOGRAPHY I was born in Florence, Italy, in a hot summer day. My childhood was filled with a grandmother that takes me around all the museums of the city and tells me all the wonderful stories of the life of great Renaissance artists. And when I’m not with grandma, I spent long afternoons drawing, painting or making small sculptures. I was told that at the age of 4 years I made a series of portraits so impressively resembling to my entire family, that everybody pictured me as a future great famous artist. Years later, when choosing high school, art school seems the most natural thing. Unfortunately mom and dad do not agree. What kind of a job is to be an artist? You don’t want to starve doing portraits in the church square! Then, having no choice, I attended five years of Science High School, followed by the University, the Faculty of Physics. I’ve got the best grades but I’m not happy at all. Unexpectedly in the mid of my studies and against the wishes of the parents, I decide out of the blue to leave the university to try to enter the prestigious Academy of Fine Arts in Milan, the secular Brera. The summer of 1999 begins my biggest and most challenging dream: studying art. So excited! After four years, I graduated.
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