VIEW IN MY ROOM
United States
Sculpture, Resin on Wood
Size: 12 W x 24 H x 12 D in
Ships in a Crate
I think one of the most uncomfortable situations for me, and I think it is a universal feeling of anxiety, dread, and painful events in a lifetime, is to be interviewed. And it really doesn't matter what the category. You can be asked to interview for a job, for a school you want to get into, to a reporter doing a story on you, to testifying before congress. Yes. Uncomfortable at best; painful and agonizing at the peak. The many, many times I have been interviewed, I have never looked forward to the experience. "The Interview" is immediately relatable because, I think the only person who has not been on an interview could be Mark Zuckerberg. So he will probably not understand this chair. But for the rest of us, god speed. The chair combines small scissors embedded in the seat of the chair in resin with a back of nails. "The Interview" was selected in a juried show at the Sylvia White Gallery in Los Angeles.
Sculpture:Resin on Wood
Original:One-of-a-kind Artwork
Size:12 W x 24 H x 12 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
For decades now, my work, whether it be sculpture or collage has taken the throw away, the discards, the unloved and unfashionable, and re-purposed as art. I am moved by old things. I am moved by the banal. Why, I cannot say. What I can say, is the message behind my work is clear. Things are not as they appear. Look deeper. My current project is a happy confluence of fashion, sculpture, design and art. I am re-imagining a piece of history beloved by women all over the world. In the fifties, sixties and seventies, the most emphatic symbol of love was the fur coat. To receive one of these beautiful coats was the ultimate gift. These coats were beloved. They represented love, commitment, success and a wonderful future. Then, of course society changed, and the fur coat became a different kind of symbol for a different kind of culture. I don’t disagree with the movement to ban the killing of animals for their fur. I am an ardent supporter. However, these coats still exist. One does not dispose of a beloved object. They are tucked away in cool storage, or in large bags in basements or attics. They have been bestowed to daughters and nieces and sisters. These coats are organic. They will eventually disintegrate. Is that the thing to do? I decided nope, not the right thing to do. So... My current project takes these once lustrous and important coats and reimagines them into a wearable sculpture. Reimagine. Recreate. Reuse. For a full view of my coats, their meaning and my philosophy, please visit my website, www.ebjoli.com
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