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Lithuania
Sculpture, Ceramic on Concrete
Size: 2480 W x 138 H x 20 D in
“The Road of Freedom” is a sculpture commemorating the twentieth anniversary of the restoration of the State of Lithuania and invites all residents of the country and patriots of Lithuania to continue along the path of freedom and solidarity. “The Road of Freedom” is a commemoration of the fight for independence and a symbol of freedom and solidarity for future generations. It encourages the remembrance of the idea of solidarity which helped Lithuania to gain its freedom. The sculpture is symbolic of the live chain of people who, more than 20 years ago, joined hands and connected the three Baltic States who were striving for independence. The chain stretched a length of over 600 kilometres and became an expression of unprecedented solidarity.
Sculpture:Ceramic on Concrete
Original:One-of-a-kind Artwork
Size:2480 W x 138 H x 20 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Lithuania
CULTURE'S SIGNS IN SPACE The expression of Tadas Gutauskas's ( TaDas ) work is universal in various areas of art, showing him to be a 21-th century artist for whom 'matter in space' is boundless. His bronze figurines created during the past decade clearly reveal this concept - with their peculiar, cultural signs, their compact silhouettes, their sensitive plasticity, and with the tracks of their deliberately significant dynamic molding. Their content of signs is reminiscent of archaic African and Latin American totemic remains, of ancient European cultures, of a Baltic world view, and contemporary man's thought process. Meanwhile, his artistic characteristics are expressive, stormy with personal impressions, and filled with sensitivity towards nature and man. Having adopted the statics of archaic, sacral sculpture, the artist renders the figures dynamic by molding their surface with the impressionistic style. ( Art Critic, doctor of art research Nijolė Tumėnienė ) INCANTORY PAINTING One could guess that Gutauskas's ( TaDas ) contemporary plasticity stimulates two circumstances - the aforementioned solidarity with the personal multitongued symbols and with the desire to break from traditional, canonized painting. Both moments stimulate a game without rules, paintings with no prognosis, difficult to motivate, submissive only to the logical development of plasticity. So shining bodies can be compared with matte, decorative scenes- with lethargic motions of a brush; next to spirals with an attitude lies a bramble -bush of unruly strokes; next to historical citations infantile drawings held captive by experience. The rebellious nature of the paintings is also revealed by an artist who while manipulating symbols rarely draws archetypal forms. The sacred colors are frequently exchanged with dominating synthetic colors. Maybe that's how it should be when desire is to cast a spell on the users of synthetic products... Gutauska's paintings, as should be in postmodern art- is chock-full of paradoxes. Let's not rush into becoming comfortable with them. This neosymbolist reveals himself unwilligly, thus gaging us with a long-term connection. ( Art critic Nijolė Adomonytė ) IMAGINATION RITUALS The first impression one gets when looking at the latest sculptures by Tadas Gutauskas (TaDas) is that you have involuntarily found yourself surrounded by some magical, perhaps even ritualistic figures.
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