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"TiTT n Tafoukt" Sculpture

Khalid Assallami, Morocco

Sculpture, Iron

11.8 W x 36 H x 7.9 D in

Ready to Hang

This artwork is not for sale.

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


TiTT n Tafoukt or the eye of the sun is a statue which represents the Amazigh woman (the Amazigh word which means free). This artwork is inspired by Isni, frontal jewelry made of silver horns, widespread from the Aït Baâmrane tribe (Morocco). At the same time it allows us to meditate on the relation...

Year Created:

2023

Subject:

Method:

Multi-paneled Sculpture, Iron

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 36 H x 7.9 D in

Number of Pieces:

3

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Morocco.

Need more information?

Contact us.

Need more information?

Contact us.
Khalid Assallami

About the Artist

Khalid Assallami

Morocco

Khalid Assallami is a self-taught Moroccan artist born in Agadir in 1983.

The artist's work is a form of union between his culture, his different beliefs and symbols that flow from it and his own sensitivity.

Through his installations deliberately resuscitated from a process of recycling wood, iron and the use of natural pigments, the artist seeks to embark us on pagan stories very buried in his universe in order to enlighten our gaze towards a source age-old and immemorial culture not widely exposed and generally misunderstood.

The artistic approach is as much personal as collective insofar as the artist allows himself to appropriate the myth not exclusively for the purpose of personal exhibitions but with the aim of also creating cultural bridges and arousing questioning. on our ancestral assets in common in spaces where points in common can be created and where a dialogue can at least open up.

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