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Untitled #22 Sculpture

Ché Finch

United Kingdom

Sculpture, Clay on Ceramic

Size: 11.2 W x 8.7 H x 0.2 D in

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About The Artwork

Untitled #22 represents the visual leap that is born from a considered period of withdrawal from the 'physical' making processes of art.​ 'Most of my work is born from personal experience which can be reactive, emotional, cathartic and often times exhausting. When I'm not physically making work, this allows my mind and visual information to relax and flex, which I believe in turn fosters artistic growth... the brain is given time and space to process the visuals when it's allowed to just take time from the physicality of creating artwork. I think it's no mistake that having a substantial rest from 'physically' creating art that my work has evolved further. Artists never truly relax in their head, they're always assessing and reworking images in their minds eye, but when an artist allows themselves some physical creative space they stop treading a well worn visual groove and create conditions for artistic growth. Taking a break is part of being a creative, otherwise it's just producing' The work is also as a consequence of researching neuroplasticity and the facilitation of 'Deep Work'.

Details & Dimensions

Sculpture:Clay on Ceramic

Original:One-of-a-kind Artwork

Size:11.2 W x 8.7 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ché Finch is a British South African sculptor specialising in ceramics and conceptual art. Characterised for her raw and abstracted style. “My work is often emotional, depicting states of mind which are of the moment, as much as concepts. There are meditative qualities during the initial making process of the hand-coiled vases, where, scraping ‘clay off clay’ to sculpt the final shape produces a range of sounds that lend themselves to a gradual exploration of memories and new visuals. I am interested in visual disturbance, in placing a line or mark where it elicits a visceral response, in how this resonates with the viewer and in what possible new visual signatures arise from this process. I’m especially interested in creating conditions that lead to new visuals and in environments which cultivate intense focus and the facilitation of 'deep work', with an interest in neuroplasticity. Much of my earlier processes were based around reducing visual noise in order to focus on key elements (which resulted in more abstract work), this was in part influenced by earlier experiences working with African Rhythm Tree as a tutor, which uses core structures to facilitate innovation”. Ché Finch also has a history in co-founding Arts Organisations, organising and curating exhibitions in the North West.

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