
Sculpture, Stone
22 W x 108.3 H x 16.5 D in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
This artwork is not for sale.
Artist Recognition
ABOUT THE ARTWORK
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'What I do is Me: for that I came' is the last line of a powerful poem by Gerard Manley Hopkins, to which this piece responds. It is an assertion of selfhood, of being, an expression of the undeniability of identity. The form, while abstract, responds to elements described in the poem - a diving kin...
Year Created:
2015
Subject:
Method:
Sculpture, Stone
Rarity:
One-of-a-kind Artwork
Size:
22 W x 108.3 H x 16.5 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
Yes
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.I have sculpted for over 30 years. For me, sculpture is visual poetry, form imbued with meaning. Each line of a poem adds to the power of the whole, making us gasp with recognition and understanding of some greater truth. In the same way, each sculptural line builds a form that extends beyond the piece and, at its best, says something we instinctively know about the human condition or the universe.
Art reminds us what a wonderful and diverse world we live in. It opens the mind, nudges the imagination and lifts us from day-to-day thoughts and constraints. In my sculpture I seek to evoke exactly these responses. My work is to be touched, with both the eyes and the fingers, but above all to be felt at the root of our emotions. There is no more powerful statement of the interpretive role of the artist than Barbara Hepworth’s: “I, the sculptor, am the landscape, the hollow, the thrust and the form.”
Over the years I have explored both figurative and abstract forms, as well as the intersection between the two. I create in whatever medium is appropriate to the idea - sometimes modelling in clay, wax or plaster; and sometimes carving directly in wood. The idea can come quickly, the realisation slowly and patiently - and the casting into bronze and patination then a further careful process-driven element of the creation. Every stage is equally important, and the finished form is a combination of emotional and physical investment, of love and care and passion that is both a struggle and a joy.
Recognition:
Artist featured in a collection
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