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Sculpture, Clay on Ceramic
Size: 6 W x 7.8 H x 6 D in
Ships in a Crate
69 Views
1
White Bridge Revisited, South Africa is a memory that has emerged from Ché Finch's Submerge series. The piece embodies early childhood memories of camping next to the river at White Bridge, South Africa. Memories that at their core are representational of a more natural state; listening to owls hoot through the night, watching the stars, hearing the water, swimming and exploring the locality. White Bridge Revisited focuses further on a range of sensory memories that recall years of camping in the area and recalling nature.
Clay on Ceramic
One-of-a-kind Artwork
6 W x 7.8 H x 6 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
Ché Finch is a British South African sculptor specialising in ceramics and conceptual art. Characterised for her raw and abstracted style. “My work is often emotional, depicting states of mind which are of the moment, as much as concepts. There are meditative qualities during the initial making process of the hand-coiled vases, where, scraping ‘clay off clay’ to sculpt the final shape produces a range of sounds that lend themselves to a gradual exploration of memories and new visuals. I am interested in visual disturbance, in placing a line or mark where it elicits a visceral response, in how this resonates with the viewer and in what possible new visual signatures arise from this process. I’m especially interested in creating conditions that lead to new visuals and in environments which cultivate intense focus and the facilitation of 'deep work', with an interest in neuroplasticity. Much of my earlier processes were based around reducing visual noise in order to focus on key elements (which resulted in more abstract work), this was in part influenced by earlier experiences working with African Rhythm Tree as a tutor, which uses core structures to facilitate innovation”. Ché Finch also has a history in co-founding Arts Organisations, organising and curating exhibitions in the North West.
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