"Winning Numbers" Sculpture
Sculpture, Wood
30.7 W x 68.9 H x 2.2 D in
Framed
$6,960
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Lucky Numbers can be viewed in two ways, either as an appealing fairground luminaire or as a symbol laden totem. The base panel is an authentic 1950's fairground gaming table, imbued with 'carny' resonance and numerological potency. This is enhanced by the red V formation within the fairground bulbs...
Year Created:
2015
Subject:
Styles:
Method:
Sculpture, Wood
Rarity:
One-of-a-kind Artwork
Size:
30.7 W x 68.9 H x 2.2 D in
Ready to Hang:
Not Applicable
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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The DANGEROUS MINDS ARTISTS Studio was founded by Michael Lake-McMillan and Alan Stuart. The artists’ distinctive work constantly refers and returns to the touchstones of light, beauty in decay, abandonment and antiquated typography.
Dangerous Minds practice is driven by duality. The pairs’ intuitive subliminal dialogue centres on point and counterpoint and the production of works that are, fundamentally, aesthetically appealing and which, on further inspection, inspire curiosity and cause a ripple of intellectual stimulation. Subject matter is considered in depth, deconstructed then reformulated with an essential duality at its core, often incorporating ambiguous or cryptic text elements relating to a parallel narrative.
Key to their oeuvre is the juxtaposition of the immediately apparent and that which only becomes visible through physical change – either in the position of the viewer or in the lighting of the work, whether specifically engineered or occurring naturally with the transition of day into night.
Recognition:
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