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A metaphorical face; 
Inspired by masks in various traditions—
The false face—

An abstract sculptural face;
Questioning space,
How vast! Macro and micro too—
The occupied mind and the clear mind—

A metaphysical face;
How much space does the brain have?
How much space does the mind have?

Hanging Face No.2
Western Red Cedar, Wax
2020

-Exploring the convex form, but acknowledging our inner functions and sensory organs inextricably linking the inside to the out 
-Concavity and piercings acting as formal metaphor for interiority
-The dualistic counterparts of material and absence arranged in a dance as we are pulled into flowing edges and beyond

~Mike Sasaki 2020

There is a plate installed flush on the back so the piece will fit right against the wall. It requires one #6 screw not included. It is signed and dated on the back with a pyrograph tool.
A metaphorical face; 
Inspired by masks in various traditions—
The false face—

An abstract sculptural face;
Questioning space,
How vast! Macro and micro too—
The occupied mind and the clear mind—

A metaphysical face;
How much space does the brain have?
How much space does the mind have?

Hanging Face No.2
Western Red Cedar, Wax
2020

-Exploring the convex form, but acknowledging our inner functions and sensory organs inextricably linking the inside to the out 
-Concavity and piercings acting as formal metaphor for interiority
-The dualistic counterparts of material and absence arranged in a dance as we are pulled into flowing edges and beyond

~Mike Sasaki 2020

There is a plate installed flush on the back so the piece will fit right against the wall. It requires one #6 screw not included. It is signed and dated on the back with a pyrograph tool.
A metaphorical face; 
Inspired by masks in various traditions—
The false face—

An abstract sculptural face;
Questioning space,
How vast! Macro and micro too—
The occupied mind and the clear mind—

A metaphysical face;
How much space does the brain have?
How much space does the mind have?

Hanging Face No.2
Western Red Cedar, Wax
2020

-Exploring the convex form, but acknowledging our inner functions and sensory organs inextricably linking the inside to the out 
-Concavity and piercings acting as formal metaphor for interiority
-The dualistic counterparts of material and absence arranged in a dance as we are pulled into flowing edges and beyond

~Mike Sasaki 2020

There is a plate installed flush on the back so the piece will fit right against the wall. It requires one #6 screw not included. It is signed and dated on the back with a pyrograph tool.

64 Views

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Wooden Abstract Wall Art Hanging Sculpture - Hanging Face No.2 - 2018 - Carved From Western Red Cedar Sculpture

Mike Sasaki

Canada

Sculpture, Wood

Size: 6.5 W x 11.8 H x 3.5 D in

Ships in a Box

SOLD
Originally listed for $654

64 Views

5

Artist Recognition
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A metaphorical face; Inspired by masks in various traditions— The false face— An abstract sculptural face; Questioning space, How vast! Macro and micro too— The occupied mind and the clear mind— A metaphysical face; How much space does the brain have? How much space does the mind have? Hanging F...

Year Created:

2020

Subject:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

6.5 W x 11.8 H x 3.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

"The wood forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits." As a child I would take to drawing whatever interested me, be it hockey goalies in action, mammal anatomy, or comics. These long hours of drawing lead to making art a focus of my formal education. After graduating from the Bachelor of Design Honours program at York University / Sheridan College in 2005 (where I regularly incorporated hand-drawn material into the designs), I lived in Tokyo for 5 years where I was immersed in traditional and modern Japanese culture. Studying martial arts helped to strengthen my already growing interest in philosophy and metaphysics. In my search for a hands-on approach to life and work, sculpting in wood came like an epiphany. The forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits. I am currently living and working in Metro Vancouver where besides the sculptures, I am also developing a body of painting and relief wall artwork.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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