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blame it on the Boogie-Circle choreography Sculpture

Jessica Moritz

Israel

Sculpture, Vector on Wood

Size: 22.8 W x 14.2 H x 1.2 D in

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$2,250USD

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About The Artwork

i have been working with different rhythm and shapes around circles for a while and realize I forgot to do a primary colors one. as soon as i started i realized i was channeling Mondrian, Broadway Boogie Woogie, and I still remember vividly the last time i saw it (2019, NY) The influence he has on my work and perception of rhythm and colors is obviously clear and loud. In this work, I played with vector letters circle shaped, and add letters, signs, glyphs, overlaying on some. Saturation of meaning, or a lot to share maybe. there is no right or wrong direction of reading (latin or hebrew alphabet ) the work can be oriented as a landscape or a portrait, all sides. made of reclaimed wood, mdf, pigments and acrylic, Tel Aviv, 2021

Details & Dimensions

Sculpture:Vector on Wood

Original:One-of-a-kind Artwork

Size:22.8 W x 14.2 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds  utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.

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