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blue utopia
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blue utopia Sculpture

Jessica Moritz


Sculpture, Found Objects on Wood

Size: 15.7 W x 13.4 H x 0 D in

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About The Artwork

One of the most interesting perspective while working with colors is creating interactions with light(s). each shade can have a new perception depending of the lights and angles where it hits the colors. I was thinking what if you had to conceive a space, be an architect and what it would look like. Then, because of the situation, I don’t want to be inside. So the main interest would be outside wondering the inside. Minding the light, the sound, corners and other edges. Trying to blur the lines between all edges will be the next step. Illusion and other tricks to escape. 33 pieces of reclaimed wood, soon outside in or vice versa. The combination of shapes, and colors lead me to approximately 100 triangles, reflecting light all differently and making outside more interesting than thinking what's inside. Behind triangles, there are so many interesting symbolic and structure to consider. stability and determination, that so far we are looking for, and stand for us instead. On another side, i was looking up, as usual, and went back on atmosphere study, the origin of blue in the sky, some molecules and reading later, I thought it would be interesting for once to collect some of these shades and make them "one" as a unified sky. Blue utopia, acrylic and pigments on reclaimed wood and MDf hand jig sawed (33 pieces) 40 X 34 X 5 (cm) 2021 Tel Aviv, Israel please consider recycling, re-use, re-purpose, re-think and contribute to a better future. thank you

Details & Dimensions

Sculpture:Found Objects on Wood

Original:One-of-a-kind Artwork

Size:15.7 W x 13.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008.  She believes that order in chaos leads to an equilibrium of harmony. Moritz’s corpus of art is an infinite voyage. Her calling never discovers a termination. On a diurnal degree, Moritz is compelled to confront herself personally with the transcendence of light.   Light is an exceptional commodity for her, it's something which she adores and desires but also causes agony to her. Enduring the torment she creates with her art objects a utopian architecture (mindscape) where she unveils an unfeasible geometry. Her objects are portals to a dissimilar sphere where the mind absconded and is confronted with a clear result of a never materializing entity of art. The inevitable consequence is a painted geometry that provides balance and an optical euphony in a very intelligible manner.  Her art is inspired by former Bauhaus artists like Josef Albers. Moritz lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material.  Moritz believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.  co-written with J. P. Wolters Selected Artist part of New Voices, Saatchi ART 2021 special Edition Catalog Meet 100 Artists Who Are Changing the Conversation.

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