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South Africa
Sculpture, Metal on Bronze
Size: 98.4 W x 137.8 H x 59.1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Edition 2 of 5 of 'Son of Man' was recently purchased by the Pretoria Art Museum for their permanent collection. This is a slightly larger than life-size bronze male figure supported by 4 fabricated steel "stilts". This is my largest piece yet and one which could be perceived as almost the antithesis of most of my other work in the sense that the figure is intimately connected to technological structures rather than to the natural (animal) world. The figure’s near-nakedness is in sharp contrast to the hardness of the constructions that supports him: my aim with this figure was to explore at the same time human longing for transcendence and the inescapable vulnerability of the human individual in navigating life and the world, a vulnerability that perhaps, ironically, fuels the cold hard edge of our technology. For me transcendence is to do with going beyond limitations. We all long for it. We strive for it in a host of ways. Money, material things, and success, are all to do with this restless need for transcendence. But in the end it is very close to us. ‘Son of Man’ attempts by all his might to transcend vulnerability and free himself from the constraints his body places on him. This is to me another profound aspect of the human condition, the desire to free ourselves from constraint. But we cannot do this as we are all ultimately doomed to return to dust, the humus (from where we get the word humility). To move away from this misguided and limited sense of transcendence, from (our myth of) being in the world as though we control it, to being in the world as though we share it, requires a huge shift in the way we understand ourselves in relation to our environment.
Sculpture:Metal on Bronze
Original:One-of-a-kind Artwork
Size:98.4 W x 137.8 H x 59.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Africa.
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South Africa
Elizabeth Balcomb is a self-taught South African artist known for her haunting figurative sculptures. Balcomb grew up on the banks of the Umgeni River in the Kwazulu-Natal Midlands of South Africa. Intensely drawn to animals and the natural world, she studied Nature Conservation and spent much of her youth communing with wild creatures, some of them human. After graduating she worked at various nature reserves in South Africa and Zambia, focussing on environmental education, before becoming a full-time artist in 2010. Her emergance as an artist was during a period when she lived for over a decade in an isolated log cabin with her partner and son. Much of Balcomb’s work is a re-interpretation of classical sculpture using the language of the Renaissance to explore and expose elements of human nature. Her narrative incorporates aspects of dying and rebirth and matters of identity and personal value. She views the artist's path as an existential conundrum, constantly questioning the meaning of her work in relation to her own value as a human being and that of the natural world. Therianthropes are a recurring theme in her work. Balcomb lives and works between her 2 homes/studios in Durban and in the mist belt forest of Byrne Valley in the Kwazulu-Natal midlands of South Africa. She works in clay and casts limited editions into bronze. Learn more on her website www.elizabethbalcomb.co.za
Artist featured by Saatchi Art in a collection
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