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I was inspired by my love for Puccini's opera and Umberto Brunelleschi sketches in 1924 for the opera Turandot. The fragility of the paper, worked with glue, in a way that is not perfectly defined, refers to the sketch, to the immediacy of the preliminary sketch of a work. That's what I would like to get to the viewer of my work: the dynamic procession of the artistic gesture during the creation of this sculpture.
Altum Imperatore da Turandot di carta

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Altum Imperatore da Turandot di carta Sculpture

Madia Nicoletta Cotimbo

Italy

Sculpture, Paper

Size: 7.1 W x 19.7 H x 4.7 D in

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$1,159

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I was inspired by my love for Puccini's opera and Umberto Brunelleschi sketches in 1924 for the opera Turandot. The fragility of the paper, worked with glue, in a way that is not perfectly defined, refers to the sketch, to the immediacy of the preliminary sketch of a work. That's what I would like t...

Year Created:

2016

Method:

Sculpture, Paper

Rarity:

One-of-a-kind Artwork

Size:

7.1 W x 19.7 H x 4.7 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I love to invent, build and design the most disparate objects. The best occasions are in the theatre. I worked as ser designer and tool maker for the opera and dance. Sculpture is congenial to me and I've preferred paper to durable materials perhaps because of its affinity to the ephemeral nature of the play. Paper is the sheet where the project is born, where the first sketch of the idea will take shape and that shape must maintain the immediacy of the sketch. The sign must retain its essentiality and thus exclude the use of colors: only black ink more or less diluted for gray variations, and the white color of the paper with all its differences in tone and transparency.

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