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Mexico
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Fine Art Paper
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8 x 12 in ($45)
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White ($80)
Routine is something that can overwhelm us, it becomes a cycle that repeats day after day. "Cyclical routine" is the graphic story of a girl who goes out for a walk through the streets of her neighborhood, despite the fact that its streets are full of beautiful houses and gardens, she believes that doing this daily walk is so tedious that it annoys him. This work is framed and ready to be suspended by a handsaw hanger.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Mexico
My creative training has been partially self-managed; and being an assembler in my father's mechanical workshop for years offered me a continuous flow of invaluable knowledge that I would later and unconsciously apply to my artistic work. The contact with the design, the symmetry and the internal distribution in the components of the car, became my great references when composing. In 2010 I started to work on collage, sculpture and photography; later I ventured into and incorporated assembly, stencil and engraving; which resulted in an experimental fusion of techniques that led me to the development of a personal graphic and plastic cosmogony. In it, a variety of objects and materials from different sources converge in a necessary transformation to achieve the creation of a work. A society full of mass productions brings with it large amounts of waste that, over time, accumulate and cause serious damage to our environment, hence the importance of recycling. My small contribution has been to transform forgotten or discarded objects into conceptual and complex works of art. I rescue books, magazines, toys, organic, inorganic, synthetic materials and all kinds of objects to assign them new roles and identities within a composition. In my creative process, the origin of a work lacks an initial protocol, often an object has enough power to detonate an idea, other times the idea leads me to search for the means to carry it out. I have organized my work in two concepts according to the ideological background in its composition; the documentary addresses social or autobiographical issues, such as the state of global contingency or illnesses in my family, while the ornamental focuses on aesthetics and harmony, some pieces achieve humorous and ironic touches that sometimes manage to evade the plot.
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