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Lottery of False Memories Print

Mark M Whelan

United States

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About The Artwork

A person who uses selfies with homeless people To gain followers, seeking validation From likes and comments on their screen But what do they truly gain? Their hearts may not be pure or kind They use the less fortunate as props To boost their own image, to make them shine But at what cost to those without a home? They seek attention with no regard For those who live on the streets Their struggles and hardships ignored As they pose and smile for the perfect shot The homeless are not just a backdrop To be used for personal gain They are human beings with hopes and dreams Deserving of respect and dignity So let us not forget those in need As we scroll through our feeds And think twice before we like or share A selfie with a homeless person without care. This was inspired by a colleague who frequently would post pictures on social media of her helping homeless people to help create the perception as she looked to embark on her political career. It seemed a particularly cynical act, therefore, I wanted to capture the sense of emptiness that the false hope offered and, at the same time, intimate the homeless man was close to death and yet was still being used. This artwork is featured in Lil Diamond Smith's Book "Futurist: New York Edition." available on Amazon and Apple.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.

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