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Original Abstract Geometric Mixed Media by Paul Ashwell
Original Abstract Geometric Mixed Media by Paul Ashwell
large-01
Original Abstract Geometric Mixed Media by Paul Ashwell
large-02
Original Abstract Geometric Mixed Media by Paul Ashwell
Original Abstract Geometric Mixed Media by Paul Ashwell
Original Abstract Geometric Mixed Media by Paul Ashwell
Original Abstract Geometric Mixed Media by Paul Ashwell
Original Abstract Geometric Mixed Media by Paul Ashwell

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"Prime Perspective" Fine Art Print

Paul Ashwell, United Kingdom

$200

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
34 x 34 in ($200)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This print celebrates my rennaisance artist and mathematician hero, Pierro de la Francesca. He mathematically devised how to use perspective correctly in a flat picture space. Here I've proportioned the four edges of the square space using all the prime numbers up to 23 - 2,3,5,7,11,13,17,19 and ...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

34 W x 34 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born 1953 in the UK. Paul Ashwell produces striking abstract paintings and prints. Inspired by repeated journeys, geology, music and numbers, his background as a skilled printmaker also influences his work. Much of his work is created by superimposing layers - using plaster, tissue, newsprint and paint to bring out or obscure previous layers. He often uses gloss and matt to give different appearances in different light and from different angles. Paul's facination with number and pattern is a reoccuring theme. His Prime Marks is a good example of this.

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