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superurban V Print

charles pigott

United Kingdom

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About The Artwork

Super Urbanity The financial and political squalor serves as an environment of urban investigation, where the speed of the inhabitant is exposed to the plethora of visual detritus that supports the fabric of city existence. Position is arbitrary, in a classless chasm of perceived authority surrounding a subject matter than can only be glimpsed for a brief moment. This is where work was designed and where its product is regurgitated upon the citizen, that clasps at an existence that projects no hope. The concept of the idea is dead, a monument to a faceless authority that has premeditated the demise of the institution into a media melee, passing blame on those that are unsuspecting and cursed to make amends for the impossibility of the collective dream. Gathered amongst the corridors of urban disgust is a mind that recovers the sense of social loss; a tribe of earth followers, once intent upon destruction, yet celebrates the labour of this ill conceived intent with the purpose of drawing blindness upon the urban environment for the sake of being succumbed into the abyss of perpetual dreaming. The expression of a city within this state or demise is a shock that draws droves of foreign eyes to capture these moments in camera, staged images that eventually become discarded among the uttering’s of indistinguishable tongues. There is no rest within the super urban, whether seated at a terminal operating controlled procedures that dictate your wealth and status, or the antithesis of social acceptance where the individual is drawn into the cynic’s heavenly order of destitution that serves the city only to be seen faster, drawing the slow into a blur of forgetful squalor by the acquired user of recognised habitation. The pecuniary response to this way of life is expendable if only upon the self as a commendation of the supporting organisation that purport’s to be charitably aware, with the promise of a designed future that is willing only to extend suffering as means to one’s own end; a final end of no retort, unquestioning the condition of this urban creation that wallows in its self ridicule of family values. The expense of revolution becomes the futile excuse of strategic puppetry on behalf of the landowners, the oligarch of finance that plays with the political maelstrom of social desire breeding a preconceived correctness from within its architected fortress. There is no goodbye from this world as the passing of one face draws another from its memory until there is just a tincture of self doubt within the citizen that control is drawn out of a required anonymity, relegating you to view the famous as those that choose to play their name. Birth is no longer your right but a requirement of the state to navigate the hereditary intent born out of the bureaucratic melodrama of government. To this end we ask for a home and we were given the sub urban, the retreat of those that can afford to remember the biblical fall, that is merely a mask of the bibliographical departure from within the schooling of the elite. The super urban grows at a vast rate, without acknowledging mistakes, for the recording of history, the database of technological desire takes care of that; a microcosmic electronic model of super urbanity that corroborates our existence, or perhaps having existed or will again in a displaced space of atoned reasoning. The will of the individual is taken for a ride by each institution to accommodate the mind with the belief that care exists at the prerequisite of being taken seriously, only to deride the identity of the self with bureaucratic incorporation to swell a historical belief that is inherent in such collectives to exercise supreme power. To be reduced by such action is the cause of the mindset that propels the super urban into myth, that guides a psychological disturbance into the very heart of any disgruntled user. Be warned, to meddle within the established is to meddle with your own mind, to which the result is generally beyond the control of the individual ‘citizen‘.

Details & Dimensions

Print:Giclee on Photo Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

MUTTERings Politically adept in the understanding of the darker disciplines in art and architecture. Politically correct in their appeasement. The recovery of geometry to engage with the subject of political health versus political architecture - CHAZ - having understood there is little about me to tell and so much to learn, i have discovered that perseverance has dedicated the knowledge of being a professional to that of a confident child. work has become my only discipline to determine the art in the things that do not wish to be seen, yet to discover that it is only the everyday, within a classical disguise. i have followed an intellectual dispute in this logic of the architecture almost all my life and i am intent on being able to build according to the time i know. it is my wish that the sale of this work will eventually take to a public scale to manage the impossible models that hold the imagination of reality at a distance, without damaging our combined intent http://normally0.tumblr.com/ https://ello.co/chaz_3_141592654 http://uk.linkedin.com/pub/charles-f-pigott/29/a55/749 http://normally0.tumblr.com/archive#_=_

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